I, Frankenstein – 'Possession' A War That Never Ends

"Life and death appeared to me ideal bounds, which I should first break through, and pour a torrent of light into our dark world."

Mary Shelley - Frankenstein

As Saturnalia gave way to what is called Candlemas in the Pagan calander, I decided to go see the newest rendition of Mary Shelly’s story Frankenstein (my first for 2014). The movie called 'I, Frankenstein', directed by Stuart Beattie, (who gave us Pirates of the Caribbean: The Curse of the Black Pearl/Dead Man’s Chest and 30 Days of Night), wasn’t too disappointing in the ‘good against evil programming’ department’. If anything, it was a ‘visual feast’ that offered insight into those ‘unseen worlds’ recorded in numerous ancient texts. Its another giant one, so I'd get comfortable.

Some Background
Frankenstein also known, as The Modern Prometheus is a novel written by British author Mary Wollstonecraft Shelley about an eccentric scientist called Victor Frankenstein, who creates a ‘grotesque creature’ in an unorthodox scientific experiment. Her father was the political philosopher William Godwin, and her mother was the philosopher and feminist Mary Wollstonecraft. According to sources Shelley started writing the story when she was eighteen, and the novel was published when she was twenty. The first edition was published anonymously in London in 1818.

A portrait of Percy Bysshe Shelley painted by Edward Ellerker Williams who was connected to the East India Company -The Elite. Both Percy and Edward died together in a boating accident and some writers even speculate that they were lovers.

Shelly was a member of the Godwin Circle named after her father and the circle's members included writers and philosophers and all were ‘readers of’ Wordsworth, Southey, Milton, Voltaire, Brockden, Brown, Cicero, Petronius, Suetonius, Radcliffe, Scott, Rousseau, Goethe and Ovid. Her husband Percy Bysshe Shelley (above middle) was one of the major English Romantic poets and is critically regarded as among the finest lyric poets in the English language. He too was inspired by the likes of Francis Bacon, George Gordon Noel Byron, (6th Baron Byron) and ‘Adam’ Weishaupt who was of course the official and founder of the Order of Illuminati. It’s hard to know how much of a ‘connected couple’ the Shelley’s were, but in 1913, Rabbi Marvin Antelman in his book To Eliminate the Opiate (p. 122 of Vol. 1) goes as far as saying that both Percy and Mary Shelley were members of the Illuminati? Percy Shelley was fascinated with the memoirs of the French publicist and Jesuit priest called Abbe Barruel, who translated many of the writings of Illuminati.

This lot had money and ‘connections’ that’s for sure. No one in the 1800’s could travel to that extent and have connections to the infamous Lord Byron, (who they travelled to see in Switzerland in 1814) without moving in the El-ite circles of Western Europe.

Switzerland is where much of the original story takes place, and the topics of galvanism (above) and other similar occult ideas were themes of conversation among Mary’s companions, particularly her husband. It was Percy Shelley who wrote:

Government is an evil; it is only the thoughtlessness and vices of men that make it a necessary evil. When all men are good and wise, government will of itself decay.

He was right, all ‘government is evil’ and the the El-ite see themselves’ as both the Children of Prometheus (Lucifer) and the ‘creator’ of the new slave race on Earth. ‘Austerity’ is just the beginning folks. The decay is beginning to out smell Frankenstein's corpse!

Right) John Boles and Boris Karloff in James Whale's 1931 film adaptation of Mary Shelley's Frankenstein (The Modern Prometheus)

Shelley's portrayal of the monster owes much to the character of Satan in John Milton's Paradise Lost (above left). This poem was one of the most popular among young poets of this era (late 1800’s) and Shelley even allows the monster himself to read it in her novel. Some say that the character of Dr. Victor Frankenstein is an amalgam of Andrew Cosse, William Godwin and Adam Weishaupt, all of who were known to the Shelleys’ of course.

Weird Science and the Orders of Antiquity
The location for Frankenstein is around Geneva, which is now the home of the Large Hadron Collider, built by the European Organization for Nuclear Research (CERN) and in essence is a possible ‘horror story of Frankenstein proportions, in my view. Both ‘Fact and Fiction’ found in such scientific milestones are utilising ‘electro magnetics and high-energy physics to emulate the so-called God particle. I am sure the Hadron Colllider is being used to open up portals into parallel realities. The symbolism between both what CERN are doing and what Victor Frankenstein did (fictionally), in the novel, are relevant to understanding what forces blight our world and have done for a long time; And of course CERN was a focus for the plot in Dan Brown’s Angel and Demons (below), which, just as the movie I Frankenstein shows, connects the Church to entities and forces that are waging a spiritual war for the soul of humanity.

The Soulless Adam
Since publication of the original novel, the name 'Frankenstein' is often used to refer to the monster itself, but this ‘usage’ is sometimes considered erroneous by academics, as Victor himself is the creator of such an abomination and therefore the ‘creator’ of something that is perceived to be ‘soulless.’ In the novel, the monster is identified via words such as ‘creature’, ‘monster’, ‘fiend’, ‘wretch’, ‘vile insect’, ‘daemon’, ‘being’, and ‘it’.
Speaking to Victor Frankenstein, the monster refers to himself as 'the Adam of your labours', and elsewhere as someone who ‘would have been’ 'your Adam', but is instead "your fallen angel." The latter is important, because it is the symbolism for the ‘fallen state’ of mankind (as recorded in religious texts) and a subject that connects to the Trans-humanist agenda today.

Movies like Robo Cop (below), are no different in theme to that of Frankenstein and we are not far away from Robots being used in many areas of social life not just as military hardware.
There is plenty of literature on Trans humanism, but I think Julian Huxley, (brother of Aldous Huxley and the founding member of the World Wildlife Fund) in his 1957 book New Bottles for New Wine, summed up the agenda:

The human species can, if it wishes, transcend itself —not just sporadically, an individual here in one way, an individual there in another way, but in its entirety, as humanity. We need a name for this new belief. Perhaps transhumanism will serve: man remaining man, but transcending himself, by realizing new possibilities of and for his human nature. "I believe in transhumanism": once there are enough people who can truly say that, the human species will be on the threshold of a new kind of existence, as different from ours as ours is from that of Peking man. It will at last be consciously fulfilling its real destiny.

Huxley was a prominent member of the British Eugenics Society and its president from 1959–1962. You get the picture?

Connected Narratives
The Adams Family created by the New York Cartoonist Charles Addams (who was distantly related to U.S. presidents John Adams and John Quincy Adams,) seems to have been inspired somewhat by themes of associated with Shelley’s Frankenstein. Uncle Fester and Lurch are obvious visual connections. According to wikipedia the ‘Addamses’ are a satirical inversion of the ideal American family; an eccentric, wealthy clan who ‘delight in the macabre’ and are unaware that people find them ‘bizarre or frightening’. I can think of certain wealthy families today that fit the Adams Family criteria.

In his 1981 non-fiction book Danse Macabre, author Stephen King also considers Frankenstein's monster (along with Dracula and the Werewolf) to be an archetype of numerous horrific creations that followed in literature, film, and television in the 19th and 20th Century. King’s 1951 film The Thing from Another World and novels like The Incredible Hulk are examples of similar monstrosities that have followed in its wake. Similar ‘Frankenstein themes’ can be seen in many other novels from Robert Swindells Abomination, to dark British comedy such as the League of Gentleman with the creature ‘son’ of Tubbs and Edward called David. Again, from the Hammer movies of the Peter Cushion’s era, to more Satanic renditions by the director Richard Raaphorst in his Frankenstein’s Army (set in Nazi Germany), the subject is one that has deeper connections to our plight as human beings. If anything, Frankenstein is a symbol for the ‘hidden’ hideous crimes against humanity by those that are most definitely ‘soulless’.

The Plot
The story goes that in Geneva, Victor marries Elizabeth and wrongly believing the Creature threatened his life, Victor asks Elizabeth to stay in her room while he looks for the fiend. While Victor searches the house and grounds, the Creature murders Elizabeth. In that classic horror scene, Victor sees the Monster who taunts him with Elizabeth's corpse.
In the new movie Victor Frankenstein (played by Aden Young) creates his monster, played by Aaron Eckhart (below), and true to the text rejects his creation. Eckhart also played Harvey Dent in the Bat Man - Dark Knight movies, a creature who also terrorises Gotham City with his face swathed in bandages.

Eventually grief-stricken by the deaths of William, Justine, Clerval and Elizabeth (the latter played by Virginie Le Brun in the movie) and seeking revenge, Victor pursues his ‘monster creation’ to the North Pole, but succumbs to the weather, freezing to death. The North Pole is a common theme in art, literature and movies as a place that often hints at hidden alien technology and occult subjects. See Alien Vs Predator, Superman, etc.

As the movie progresses the monster buries its creator at a typical grave yard location found in horror style movie genres, and is then attacked by demons who have been ‘tracking’ Frankenstein for their own ends. Demons love the ‘soulless’ you see.

Shape-Shifting Knights - The Gargoyle Order
At the grave yard Frankenstein is rescued by members of the Gargoyle Order, (Ophir and Keziah), who eventually bring ‘him/it’ before the gargoyle queen, Lenore (played by Miranda Otto) and their commander, Gideon (Jai Courtney).

The Gargoyle Order – Ophir, Keziah and Gideon in the middle. So he’s the guy whose placing the Bibles in hotel rooms all over the world.

Queen Lenore (above) explains that they (the Order) were created by the ‘Archangel’ Michael to remove demons on Earth, and in the movie she names the Frankenstein Adam, inviting him to join their order. Adam is symbolic of the first human and the ‘creation of the gods’ as shown in numerous texts, as we shall see.

After many years of studying such themes and symbolism I can say that this romanticised view of ‘Gargoyles’ in I Frankenstein, in my view, is another promotion piece by the El-ite orders of antiquity – not least the Vatican. The official view that these effigies where placed on Gothic Cathedrals (which were designed and built by Secret Societies) to ward off evil, isn’t strictly true. Energy pulls in similar energy (magnetic vibration) and the grotesque Chimera galleries, not least at Notre Dame in Paris, (which has many other effigies that depict birds and men with grotesque facial disfigurement) are not there to ward off evil. In fact many of the gargoyles on Gothic architecture look ‘demonic’ which is at odds with movie’s plot. But it does take one to know one, as they say.

In the movie the Order inhabit a magnificent Gothic Cathedral, unnoticed by the human eye, almost to the point of being a bit farcical, as we hardly see a human in the movie anyway. Then again Beattie’s movies of a similar vein tend to focus on battles between vampires and werewolves, etc, and not what they are actually ‘feeding off’ – us!  Only if humanity could truly see what occupies the so-called empty space around them?

Michael’s Army – The Elohim

The Gargoyles in the movie are the offspring of ‘Archangel Michael’ and are sworn to protect humans from ancient demons that have disguised themselves in human bodies. As the Queen Gargoyle explains, “the war between angels and demons has gone on ‘unseen’ by humanity.” It’s a war that will eventually affect all humanity unless it is ended. The war is outlined in Biblical texts such as:

Apocalypse 12:7, "And there was a great battle in heaven, Michael and his angels fought with the dragon." St. John speaks of the great conflict at the end of time, which reflects also the battle in heaven at the beginning of time. According to the Fathers there is often question of St. Michael in Scripture where his name is not mentioned. They say he was the cherub who stood at the gate of paradise, "to keep the way of the tree of life" (Genesis 3:24), the angel through whom God published the Decalogue to his chosen people, the angel who stood in the way against Balaam (Numbers 22:22 sqq.), the angel who routed the army of Sennacherib (2 Kings 19:35).

Sennacherib of course was the Assyrian ruler that replaced the Sargon dynasty in Ancient Babylon and was prevented from taking Jerusalem around 690 BCE by the Archangel Miok (Michael), so the story goes? As an ‘Archangel’, Michael wields a sword of fire and was also called Beshter, Mika'il, Sabbathiel in Judeo Christian manuscripts. His name is said to mean, ‘Who is like God’, ‘Like unto God’, ‘Who is like the Divine’. I’ve mentioned the Archons before in other blogs, but It’s worth noting here that there are both malevolent and benevolent forces associated with what the Book of Enoch call the ‘Shining Ones’. I, Frankenstein attempts to illustrate this point.

Good, Bad and the Ugly - sorry wrong film.

The gargoyles are a subtle hint at the race of ‘Elohim’ or the Nephilim in one form and the children of Michael in another form. William Blake’s rendition here shows the beadred winged Elohim Creating Adam a ‘Frankenstein human’, or a new genetic hybrid for the new world.

The word Elohim is identical to the usual plural of ‘el’ meaning ‘gods or magistrates’, and is cognate to the 'l-h-m found in Ugaritic, where it is used for the pantheon of Canaanite gods. The children of El are the ‘Elohim’. And anyone who has read my reviews, books and of course the books of David Icke’s will know that the ‘Elohim’ are the race of gods, the Archons. See my other reviews here - El the Son of Saturn

Triple Cross, Triple Star and the Goddess
The Gargoyle Order carry the 'tripe cross' or 'papal cross' as their emblem, which for anyone who knows their occult symbolism is one stage further than a ‘double cross’. The emblem is used on weaponry so to send demons back to Hell in the movie.

The double cross is a common esoteric symbol going back to the El-ite House of Lorraine and connected bloodline families that own the oil giants such as Exxon. Of course the reason that this symbolism is placed in the hands of the Gargoyle Order relates to the Papal emblem going back to the emperors of the Holy Roman Byzantine, not least Pope Sylvester I and Constantine. The triple cross can also be found in the geometry of the Star of David, something I’ll come back to later.

Various forms of the ‘double cross’ in its modern use can be found on album covers through to fictional ‘future’ Fascist parties in the movie V for Vendetta (below right).

There is also the connection to the Triple Goddess and the idea of the Trinity in this cross emblem and I am sure if one delves deeper we can find subtle connections to a ‘triad’ of other symbols. The Trinity can also be symbolised through Tisiphone (The Dispare & Blood Avenger) or ‘voice of revenge’- one who guards the entrance to Underworld, the place of punishment found in Classical Mythology. The constellation of Orion, which has three stars forming its belt and the stories of the three wise men or Magi (of Jesus fame), some say, are also symbolic of these three belt stars Mintaka, Alnilam and Alnitak. Orion, I am sure, is a major ‘off worldly’ connection to those invisible forces that inspire the ‘secret government’ of our world.

Triple it

The Goddess Brigit was said to have three talismans, the 'Grael', the 'Shining Mirror' and the 'Spinning Wheel', and all of these talismans can be found in the various myths, legends and fairy tales, such as Snow White, Sleeping Beauty, etc. The Furies are also a triple entity referred to as the Erinyes, or the ‘angry ones’ in Greek and Roman mythology. They are Also known as the Eumenides, Dirae, Furiae and Semnae (or the Good, the bad and the Ugly). They were the three daughters of Earth (Gaia) conceived from the 'blood of Uranus' (sounds disgusting?). All three were usually represented as crones with bats wings, crows, dogs’ heads and snakes for hair. Nice?

Left) The Erinyes or the 'Angry Ones' in Greek and Roman mythology. Right) Madonna doing her 'impersonation' of the Furies in her music video Frozen.

These are the feminine aspect of the malevolent forces worshipped since ancient times and their duty was to punish wrongs committed against blood relatives. At the highest levels of the Illuminati and Satanic circles it is the ‘dark goddess’, the Furies that hold most power. The Goddess of the Underworld, El was also accompanied by her sisters Harut and Marut the fallen angels of Babel (Babylon).

Pernicious Angels
In Hindu Mythology the Angels and demons are referred to as the Rakshasas (below) and in the holy books called the Vedas it is mentioned that the material world is governed by demons. Exactly what the Cathars said in 12th Century France. These inter-dimensional ‘beings’ are said to be able to move backwards and forwards (or in and out) of our world through portals in the space-time fabric. According to the Italian physicist and author Giuliana Conforto, these holes or portals are crevices that house pernicious angels or gluons, which are nuclear by nature. The nuclear force, one of the four components of the universe, is said to give pernicious angels their form. The splitting of the atom and the need for plutonium as a vehicle for war and energy is of great importance to a consciousness that feeds off our world from what Conforto calls the ‘inter-space planes’. The portals that these creatures use to traverse time and enter our reality have been opened up in some cases through governmental nuclear abuse (Fukishima anyone?) and in fact, some writers have indicated that nuclear weaponry may have been used in more ancient epochs?

The Rakshasas and armies of demons

The Tengu
The movie grasps this notion fairly well showing high levels of what writers and researchers have called ‘shape shifting’ between human and non-human form.

The demons hosts in this movie/story are also Archons and like Michael’s army of Gargoyles are non-human entities that can take human form. These entities are what the Gnostics call the Archons and are the Jinn in Islamic belief. The armour of the warrior clans of ancient Japan (the samurai) seem to have been designed to represent these entities in some ways. Fear is one weapon power and skill with a sword is another.  The ‘guard dog gargoyles’ in the movie seem to represent the armies of Archangel Michael when in human form, but when they shape shift back to being gargoyle, which is their fallen angel/Archon form. 

Jinn & Devourers

Gothic cathedrals are littered with images of possession often termed devourers, which also take on Griffin and lion-like forms. The devourers (above right) are symbols of a possessed human. They are also Avatars and that is why the Veda’s are littered with both demons and gods battling each other through possession. My next short graphic novel (the 2nd part to Kokoro), when it's finished, will illuminate the story behind such entities and forces.

Budhism long held that the ‘tengu’ were 'disruptive demons' and 'harbingers of war'. Their image gradually softened, however, into one of protective, (just like the Gargoyles in the movie) but still dangerous, spirits of the mountains and forests. The tengu are associated with the ascetic practice known as Shugendand (a Shinto sect), they are usually depicted in the distinctive garb of its followers, the yamabushi. The Movie 47 Ronin (based on the original Japanese story of exiled samurai, depicts the tengu, which are bird-lion-like entities. I have had vivid dreams with what look like the tengu (below) and in one dream I could even smell a sulphur like odour when they came near.

Avatars Descending

In the Sanskrit Avatara means 'the descent of God' or simply ‘incarnation’ and to the North American tribes like the Hopi an 'avatar', was merely a belief in a personal form of the ‘supreme being’, taking form in the physical world/reality. When a ‘personal form' of God descends from that higher dimensional realm to the material world, he/she is known as an ‘incarnation’, or an Avatar. Therefore the Eastern mindset regards the ‘avatar’ or ‘incarnation’ as a nonphysical one, whereas the western mindset concept of divine incarnation relates to a physical incarnation! In fact the Latin root ‘carnis’ means ‘flesh’, hence the simple term - 'personification'. The entities in this movie are symbolic of the ‘incarnations’ of angels and demons - non physical until they 'incarnate'.

I personally feel that there are many layers of ‘religious nonsense’ expounded within the old and ‘new age’ religions regarding avatars, masters and supreme beings, much of which can be shown to be energetic states of awareness. Artists have used ‘personification’ for thousands of years to express the idea the ‘non physical’ taking ‘various forms’.
Therefore it is no surprise to see that one of the oldest pieces of art found in the world is a Lion-headed humanoid found in 1939 in a cave named Stadel-Höhle in Hohlenstein (Stadel cave in Hohlenstein Mountain) in the Lonetal (Lone valley) in the Swabian Alps, Germany.

The Gargoyles are very much ‘lion-like’ as where the Navi in the movie Avatar. So many alchemical texts and Illuminated manuscripts depict monstrous human-hybrids that quite simply speak of ‘otherworldly’ entities and how they are summoned into this reality. The Book of the Goetia of Solomon the King is a ‘manual’ for those that use such sorcery. Dr John Dee and Aleister Crowley ‘devoured it’.

Left) A lion-headed humanoid laying prostrate, said to be an inhabitant of the 'Island of Atwaran', a mountainous island in the ocean inhabited by jinn, or demons. From a copy of the manuscript Marvels of Things Created and Miraculous Aspects of Things Existing) by al-Qazwini.1662. Biodiversity library. Middle) A lion-headed humanoid found in 1939 in a cave named Stadel-Höhle in Hohlenstein. Right) The Lion Goddess Tanit, she was, as well as a consort of Baal Hammon, a heavenly goddess of war and mother goddess. In her reversed guise she is Anat the demander of sacrifice through fire found in ancient Carthage. The entity in the movie Exorcist has links to this deity.

Winged Lions

In the Bible the winged Lion is also connected to this 'force' or ‘power of the word’ and this symbol comes from St. Mark's description of John the Baptist's voice ‘crying out in the wilderness’.(Mark 1:3). His voice is said to have sounded like that of a roaring lion. The roar of the lion can be seen in the work of David Icke and those that resonate to the ‘TruthVibrations’.

This lion symbolism also appears in a vision of the Prophet Ezekiel where four winged creatures represent the four evangelists (Ezekiel 1:10). Matthew is depicted as a human, Mark as a lion, Luke as a bull, and John as an eagle, and all four are symbols of the 4 quadrants of the precession of the equinoxes galactic alignment - Aquaruris, Leo, Taurus, Scorpio. The lion was also the protector of the Assyrian Kings of Babylon and this is why the lion is littered in art and sculpture throughout the ‘Empires’ of each age. It is the 'symbol of sovereignty' for those that see themselves as kings. Yes, even those that have not been born into the El-ite bloodlines!

 

It is the ‘word’ and ‘vibration’ symbolized through the roar and power of the lion that is shown pulling apart the pillars (foundations) of our world in Rosicrucian ‘illuminated’ Illustrations (below left).

Left) The Fall of Babylon as depicted in the Chymical Wedding of Christian Rosenkreutz, published by Lectorium Rosicrucianum, a Rosicrucian order founded by Jan van Rijckenborgh in Belgium. Drawing by Johfra Bosschart.
Right) Christ Lion Consciousness (not commissioned by David Icke) but one of several lion images showing the 'truth vibrations' rising collectively on Earth (as a Lion).

And for those that think I am some kind of Freemason, Luciferian or purveyor of Zionism, because I paint lions with the Star of David on their foreheads (above right), well they ought to really study symbolism properly before they jump on the ‘he’s a fraud 'band wagon’. The Star of David is actually an ancient emblem that can be found in Sacred geometry, the 'seed of life' and goes way back to its original use in Babylon and Egypt (and before) as a symbol of the star of 'heaven on Earth'. Yes, it has been used as a symbol of human sacrifice, Saturn worship (the fallen star - see the Rothschilds), and it is a Kabalistic symbol that forms part of the Sigil of Saturn, for those that use its power for evil. But for those that know that symbols are energy that can be utilized for ill or good, it can also be used to ‘birth new life’ and is considered the number of the perfected man/woman. See the Vitruvian Man (by Da Vinci below) that represented Heaven (divine form) descending on Earth (the circle squared). The New Jerusalem has nothing to do with IS-RA-EL or Saturn Worship, it’s a ‘non local’ place – found in our hearts. The Gnostics and Cathar’s knew this truth and were violently removed because of this knowledge (this 'knowledge' or Conscientia in Latin), is 'consciousness'.

The Star's numerological components also give us various platonic solids from a Tetrahedron through to Dodecahedron, not forgetting snowflakes. This knowledge is neutral (intent is what matters) and can be ‘reversed’ to 'disempower' those that have used the occult against humanity. I could go on, but I am digressing from the themes in this film.

My work as shown me that lion symbolism found in myths and religious texts, is a ‘symbolic state of awareness’ that has the power to remove all that is ‘demonic’. The lion is a power that can be used to destroy or create. It is simply the ‘predator within us’ that influences our ‘world perception’ when we deny our own spiritual sovereignty (the lion within). Instead of following our hearts we are herded into prisons of the mind, which feed the alpha ‘predator’ within rather than pure infinite consciousness.

Frankenstein and the Fire Demons
Over the centuries, Adam (Frankenstein) fends off the demons that pursue him and during a modern-day confrontation at a nightclub, a policeman is killed and while Adam is summoned by the gargoyles once more, the demon Helek (played by Steve Mouzakis) reports that Adam is alive to the demon-prince Naberius (played by Bill Nighy), who is 'disguised' as billionaire businessman Charles Wessex (below). I wonder how many billionaires look like Naberius eh?  Oh those eyes…

In the movie Wessex has employed scientist Terra Wade above (Yvonne Strahovski) to conduct experiments with reanimated human corpses, and sends a group of demons led by his most formidable warrior, Zuriel (below), to attack the gargoyles' cathedral and capture Adam so he can unlock the secret to 'give life to the dead'. As Wessex says of this science he so desperately needs to ‘re-awaken a demon army’, with one purpose – to destroy the Earth.

Death by Fire
In many ancient accounts Demons are depicted as ‘fire entities’ when they return to their original form and the film makes clear use of this symbolism as gargoyles shape-shift between human form and that of a gargoyle.  

Human Gargoyle sends a Demon back to Hell

So does the recent movie 47 Ronin where the Dragon Witch (below left) uses fire to fight the Samurai. Fire demon, Jinn, Archon, they're all the same; and when Agent Smith shows his demon form in the move Matrix Revolutions (below middle) that didn't surprise me too.
In almost every movie Keanu Reeves stars in, there seems to be a fire demon/entity of some nature. Makes you wonder eh? Here’s a funny video showing slightly more than Keanu's acting skills.

Reeves rising above the demon world in the movie Constantine

Suffice to say that ‘sacrifice by fire’ carried out all over the world, by those that hide behind dogma and high office, were always serving the demons that owned their souls. As David Icke writes in Children of the Matrix;

“There are so many reptilian “hosts” (possessed people) in positions of political, financial, media, and military power. They may look human, but behind their outward appearance they are not. The reason the Illuminati are so obsessed with bloodline is that the hybrid genetics were created to make these bodies more easily possessed by the lower fourth- dimensional entities because of the vibrational compatibility. It means that if you can put these bloodlines into positions of power, you are, in truth, putting these entities into power.”

Katy Perry at the 2014 Grammy Awards ‘Ceremony’ (with its connections to Holy-wood) performing a 'friendly Satanic fire ceremony'. God help those that are literally put through this evil.

Possession - A War that Never Ends
The demons and the gods of death are as active today as they were for the ancient priests that paid homage to these forces through their rituals and magic. To appreciate the concept of an ancient force, which demands bloodshed and a constant state of control through fear, (operating through possessed individuals), says so much about how and why events are triggered in our ‘physical’ reality.

In the lost Gospel of Judas, another Gnostic text, there are said to be words that translate as, ‘there were many animals walking around in the skin of men’. 

In other words demons.

William Blake summed up the idea of possession of men by what he referred to as ‘corporeal demons’ when he wrote in a catalogue title True Christian Religion for his exhibition of 1809, He said:

“Unworthy men who gain fame among men, continue to govern mankind after death...they possess themselves of the bodies of mortal men, and shut the doors of the mind and of thought, by placing learning above inspiration."

Learning above inspiration is simply the head ruling over the heart.

On one level all war is a satanic ritual, which generates a vast amount of fear-based energy. The same can be said of the mass human sacrifices performed in the ancient world. The force that has inspired both ancient and modern warfare, killing, torture and the tyrannical mindsets behind these operations, is one that lives in a dimensional vacuum and needs an external ‘food source’ to survive and maintain its control. Another name for the predatory (demonic) host as recorded in art and texts since ancient times are the doorkeepers.

The entrance to the Narasimha (Lion God) Temple at Seebi. The figures are the door keepers or Dwarapalakas who are also considered the guardians of Heaven.

The Emerald tablets offer some very intriguing insights into how our reality is ‘feeding’ what I call the 'predator'. The tablets talk of the ‘children of the shadows’ coming forth to possess those that ruled the native populations before and after the Atlantis era. One section of the tablets reads:

“Far in the past before Atlantis existed, men there were who delved into darkness, using dark magic, calling up beings from the great deep below us. Forth came they into this cycle, formless were they, of another vibration, exiting unseen by the children of earthmen. Only through blood could they form being, only through man could they live in the world.”

The references to the war gods can be found in the ancient Sumerian accounts of Marduk, Bel and Indara, through to the Roman god of war - Mars. All of these variations of the same god have their opposite form, but it is the focus on the ‘death god’ by pharaohs, kings, religions and secret societies in today’s world that has and still is shaping the world, through war and tyranny.

For example, the title Warlock comes from the same gods and to be a ‘warlock’ (above right) is to be a wizard, evil spirit, traitor, liar and one who breaks his word. That last description could be describing several world leaders today. Wars on all fronts, and the devastation they cause, are no more than the ‘host of hosts' ability to possess those that lead the masses to pay homage to the ‘gods of war’.

Battle of the Cathedral
Before Lenore the ‘queen gargoyle’ (they love their royalty these non-human entities) can punish Adam for the policeman's death, the cathedral is attacked, and Adam convinces Ophir to release him. In the ensuing battle, a number of gargoyles, including Ophir and Keziah, are slain, while Lenore is captured and brought to an abandoned theatre.

In the movie there is a very telling image (scene) of a demon hoard descending on the gargoyles back lit by the Moon. Ancient Chinese philosophers claimed that humans were 'Moon food' because their energy was being drained and absorbed by an extraterrestrial force that needed the energy to replenish itself.

Adam and Gideon head to the theatre, where Gideon exchanges Lenore (who has been kidnapped by demons) for Frankenstein's diary (below). It shows the secrets of how Adam came into existence.

Adam follows Zuriel to the Wessex Institute, where he learns Wessex plans to have demons possess hundreds of thousands of reanimated corpses (a possessed army of Frankensteins’).
Satanism is the religion of possession, that’s’ why the Vatican has a department for exorcism. It all makes sense when you know that like attracts like’.

The Devil's Advocate, sorry I mean the Vatican

It is said that Satanists, (especially the most powerful ones) at death use rituals designed to transfer their power (the demon) to another person. When they die, their consciousness becomes the property of the demons, as ritually agreed when they become Satanists. The deal involves demonic power for the Satanists on Earth in return for their ‘soul’ when they leave their body. This is where we get the term “selling your soul to the Devil”. Look at how many celebrities, rich and famous have sold out as they say. This website is interesting.

In the massive battle Adam retrieves the Frankenstein diary and escapes, to later confront Terra before they are attacked by the demon Zuriel, whom Adam eventually manages to kill.

Adam warns the remaining gargoyles of Wessex's plan, and Lenore sends Gideon (above) to kill him and retrieve the diary. After a violent fight (What another, I am shocked), Adam is forced to kill Gideon and then decides to burn Frankenstein's diary and destroy its secrets before the gargoyles or demons come after him.

Agents (Fire demons in their ‘heavies’/security 'outer form' surrounding the first man Adam/Neo

The agents are back and they are reptilian.

How many uniforms or heavies (security) around billionaire world leaders (politicians/royalty) in our world are possessed eh?

Demons leaving the Wessex Institute (could easily be a the Palace on Beltaine? Quick have a 'celebrity ridden' pop concert to divert the masses.

In the movie, thousands of Frankenstein corpses suspended in a huge underground city-like hive structure underneath the Wessex Institute, become re-animated though the electric shocks triggered by Wessex’s mad demon scientist – ‘Molokai’. Moloch of course was a fire demon that demand sacrifice. As the corpses awaken fire demons rise from the abyss to enter the bodies that have been prepared to take them.

While the battle progresses Adam ventures into the Institute to rescue Terra, who has been kidnapped by Wessex. 

In the confrontation Wessex takes the form of Naberius (above) and activates the Frankenstein machine. In this scene Naberius summons one of the demons to possess Adam (due to is soullessness), but has we see Adam proves immune to the witch craft. As the gargoyles attempt to stop the reanimated demons, Adam battles Naberius and carves the symbol of the Gargoyle Order on him, banishing him to Hell alongside the other demons, and causing the entire building to collapse and fall into the abyss. Makes you wonder why all those sink holes keep coming from eh?

The scene gives a feel for what the underground bases, reported on in books since the 80’s, look like. And of course the underground world of the Large Hadron Collider is obviously connected to this imagery.

Recognizing Adam's bravery, Lenore (above) saves the day and forgives Adam for Gideon's death. 

Adam retrieves his weapons and, after bidding farewell to Terra, he departs to continue his 'immortal' quest to rid the Earth of demons embracing his role and his true name I, Frankenstein.

Vibrational Changes
As many books and movies have shown, the vibrational frequency of negative emotion, like fear, guilt and terror, resonates to the ‘demonic’ range or the 'Archon world' and so those emotions generate energy for demonic entities to feed off. Energy = creative power, positive or negative. Forces that harness our energy and direct our world are feeding off our emotions and they manipulate events in the world and our lives to trigger the desired emotional responses. My Image below illustrates this 'tussle' symbolically, but it also depicts the removal of this ‘thought field’ and 'food  source' too.

The battle between gargoyles and demons is a war that humanity ‘does not’ see, just as we do not see what feeds off our emotions. To fight a war, we have to become a war inside, to be at peace we have to become peace.  It’s all in the 'vibration' and how that is focused. I think Sting’s song Love is a Seventh Wave sums up the nature of forces pitched around us and how we have been conditioned to perceive angels as ‘heavenly’, when in truth, both ‘angel and demon’ born form the same source.

 Our vibration is our soul and our soul is who we are.

In the end Frankenstein fooled the demon host because; it turned out that he had a soul and therefore was capable of knowing love. He became conscious.

In the empire of the senses
You're the queen of all you survey
All the cities, all the nation
Everything that falls your way, I say
There is a deeper world than this that you don't understand
There is a deeper world that this tugging at your hand
Every ripple on the ocean
Every leaf on every tree
Every sand dune in the desert
Every power we never see
There is a deeper wave than this, swelling in the world
There is a deeper wave than this, listen to me girl

Feel it rising in the cities
Feel it sweeping overland
Over borders, over frontiers
Nothing will its power withstand, I say
There is no deeper wave than this rising in the world
There is no deeper wave than this listen to me girl

All the bloodshed, all the anger
All the weapons, all the greed
All the armies, all the missiles
All the symbols of that fear, I say
There is a deeper wave than this rising in the world
There is a deeper wave than this, listen to me girl

At the still point of destruction
At the centre of the fury
All the angels, all the devils
All around us, can't you see?
There is a deeper wave than this rising in the land
There is a deeper wave than this nothing will withstand

I say love is the seventh wave

Until next time

Neil

"Neither do people light a lamp and put it under a bowl. Instead they put it on its stand, and it gives light to everyone in the house.
Mathew 3:19


"The Revolution introduced me to art, and in turn, art introduced me to the Revolution!”
Albert Einstein

"The worst realities of our age are manufactured realities. It is therefore our task as creative participants in the universe to re-dream our world. The fact of possessing imagination means that everything can be re-dreamed. Human beings are blessed with the necessity of transformation .”

Ben Okri