Tuesday, 29 May 2012

Avengers, Transformers (‘shape shifters’) and the Eternals

 "The cave paintings are no more truthful than the moving image, the artist sees the truth behind the truth" 
George Lucas

Miok (Michael) challenges the Fallen Angel © Neil Hague 1997

Themes found in Comic books, graphic novels and movies especially in recent years can be traced back to the myths and legends of the ancient world. I am a big movie ‘watcher’ and therefore after reading material and being immersed in symbolism I cannot help ‘seeing’ the themes jump out at us, intentionally so! 

Its going to be long one so brace yourselves!

The battle’s between a (serpent) monster and a (Sun) hero is one common theme found throughout the world’s mythology. So are the battles between an alien invading force and a native race that lives in harmony with its environment the James Cameron movie Avatar in recent years expresses this concept very well. The most common legends include a 'force for good' versus an 'invading terrorizing force' that wants to take a planet or civilization for its own ends/needs. These dual forces have been depicted as a Saint George figure versus a Dragon/Serpent and this theme can be seen again and again through the stories of Indara and the Vritra, Apollo and the Python, Jehovah and the Leviathan, along with many other opposing pairs. Among the serpent-destroyers were also said to be other ‘saint’s such as St. Clement, the vanquisher of the Dragon of Metz and St. Marcel the deliverer of Paris from the ‘monster’ along with St. Romain whose exploits were immortalized over the ‘gargouille’ of Paris as do many other German, Spanish, Russian Saint Michael figures across Euro-Asia. The same ‘Characters’ can be found in places like Central America and in the Far East too.

What I have found fascinating are worlds and themes found in comics (now turned into movies), especially those that hint at ‘hidden knowledge’ tapped into by the visionary artist/writer of such amazing narratives. As Victor Hugo once wrote,

“All letters began as signs and all signs began as images”

The creator of such Graphic Novels and Comics like Jack Kirby and others were tapping into themes and ideas that spoke of a far deeper layer to the usual hero themes. One example is Kirby’s narratives
for a series of stories called the Eternals (below).

Reptilians versus Nordics and the battle ground as always is humanity (piggy in the middle).
 The Eternals is the story of the ongoing conflict between the different breeds of mankind, overshadowed by the creatures that experimented with prehistoric ape-men and created them. In Earth’s prehistory, Kirby imagined huge armored alien Celestials that came to Earth and used proto-humans to bring forth two other species: the Eternals, who were generally beautiful, immune to natural death, and possessed superhuman powers; and the Deviants, whose inability to breed in a consistent form produced generations of endlessly varied, grotesque monsters. 
 The Eternals became the basis for human myths about gods and angels; the Deviants gave rise to myths about devils and demons. Myths they say? I'll come back to this later.

Another character created by Kirby was the Saturn-like figure called Galactus whose origin within the stories concerned an ancient planet called 'Taa' ('Ta love', if your from Yorkshire in the UK), whose resources and life force was diminishing. It was a ‘dying - dead’ zone and so one Taa scientist in the story decides to mount a final space expedition into the heart of a star, to go out in a last blaze of glory, as it were. In Kirby’s story the radiation of the star killed everyone aboard the craft except for that ‘one scientist’, who somehow survived and evolved into a new form of life. You could say he was a kind of ‘otherworldly’ Six Million Dollar Man – Sauron figure who after incubating for eons (within a spaceship), eventually emerges as the 'godlike' and control hungry Galactus!
His ‘eternal opponent’ is Thor, the younger Scandinavian Jupiter figure.
Saturn and Jupiter battle it out as ‘Galactus and Thor’, or any other combination we see, as the  gods or the ‘planets personified’.
I write about this in great detail in my book Journeys in the Dreamtime.

Kirby's Galactus is an evil Gilgamesh- Saturn hero 'personified'


In Scandinavian mythology for example Thor is said to go fishing for Vritra a 'great serpent', which lies at the source of major rivers, seas and power of the oceans. He is a 'electromagnetic' sun god challenging the power of the Moon over the oceans...The Sumerian epic of Gilgamesh also depicts him (the Sun) struggling with a serpent at sea, while been pursued by the angel of death. 
In many ancient cultures there are dragon myths 
which record a ‘sky god’ defeating an 
Earth-threatening monster and making the world a safer place for mankind.
However, when you look closely at these themes quite often there are contradictions at play.

Watchers, Wizards and Mutants have Landed!

I recently watched the movie The Avengers Assemble and wasn't shocked to be reminded of the endless connections to the same themes that crop up in other movies of the same ilk almost every year now and of course the connection to ancient myth will become obvious as I proceed. Of course this Marvel Comic turned film weaved together several threads and themes that are tied to other comic book movies, not least the movie Thor released in 2010. 

 In short the Avengers Assemble plot surrounds an invasion by the God Loki (below), for Loki, see also Lucifer, the trickster and the half brother of the God Thor. Loki is a god of fire, the bringer of chaos and mischief who was said to have made a ‘pact’ with what Norse myth call the Frost Giants who opposed Asgard (one of the Nine Worlds) and the balance of the Universe. Like the Haokah (or unnatural god) sometimes depicted as a clown in several Native American tribes, 'Loki' can ‘shapeshift’, and command the power of being in ‘several places at one time’. Lets say that he uses the holographic nature of reality to deceive and manipulate those that are not fully aware!

The daughter of Loki, the goddess Hel, (like the giant Haokah), was said to have a dual visage, pain and pleasure, hot and cold, power and magic. Being the ruler of dreams the Haokah, like the shamans of the ancient two-horned clan, were said to be able to ‘traverse time’ and move between different dimensions (realities). The same is said of the West African deity Eshu (above right), which the Yoruba people regard a trickster god. This particular figure was also capable of time travel, haunting gateways (portals) and changing into different forms – a common theme! In one Yoruba Poem regarding Eshu it says:

“ Eshu throws a stone today and it kills a bird yesterday”.

This particular phrase relates directly to the ability to travel back in time and suggest that those that can operate outside of ‘linear time’ are adepts at manipulating time. Eshnu, like Loki are ‘horned’, so is the Celtic god Cernunnos, (the hunter/shaman) was also said to be able to move between different worlds. By doing this it is said that these entities/gods were caught between both benevolent and malevolent forces, (often symbolized through having two faces) and therefore reflected the duality of life. For this reason the trickster gods are often associated with the Christian devil, Lucifer and their opposites, the savior ‘Sun’ god in many belief systems. Both are versions of the same archetype that carry symbolism that refers to the duality of light and dark forces.

n Norse myth and legend Loki is the father of Hel,  (where the word Hell is derived) the wolf Fenrir (werewolves anyone?), and the world serpent Jörmungandr (a giant serpent that threatens the Earth). According to the myths Jörmungandr grew so large that he was able to surround the earth and grasp his own tail (the Ouroboros)
As a result, he received the name the 'World Serpent'. It is said that when Jörmungandr  lets go of his tail, the world will end! 
Jörmungandr's arch-enemy is the god Thor, the brother of Loki… 
God families can be so complicated!

Order out of Chaos

In the movie The Avengers Assembly Loki uses ‘mind altering technology’ to possess a scientist and an agent to aid him in opening up a ‘vibrational bridge’ (a porthole) in the sky that will allow the invading force, the Chitauri, to ‘fall to Earth’, or the climb down the ‘World Tree'.
Bridges and doorways are symbolic of the meeting of two worlds.

The invading reptilian army (the Chitauri) fall into the human world in the Avengers movie (right)

The ‘very reptilian looking’ Chitarui descend through a port hole, or 'hole' in sky that is created through harnessing 'Fukushima amounts' and 'beyond’ quantities of gamma radiation contained in a 'otherworldly' cube called the ‘Tesserat’, which is stolen by Loki (below left) from the ‘World Government’ Agency called S.H.E.I.L.D. The plot also implicates the fictional billionaire and founder of Stark Industries "Tony" Stark also known as Iron Man (below right). His suit and his 'powers' are very symbolic of the advancement of ‘robotics, cybernetics and the huge push for trans-humanism by the elite today within the military-industrial complex.

True to the comic Loki arrives on Earth to bring about what ancient texts, like the British Edda the events known as Ragnarök, an apocalyptic ‘end game’ that involves several Gods (Superheroes) and humanity fighting a predator force. 
The word "ragnarök" is a compound of two words, the first word in the compound, ragna, is the genitive plural of regin ("gods" or "ruling powers"), derived from the Proto-Germanic term 'ragen'. The second word, rök, has several meanings, such as "development, origin, cause, relation, fate and end." The movie doesn't disappoint in that department when it comes to the timing of Loki's arrival and the chaos that ensues.

Odin the 'one eyed' who is flanked by his sons Thor and Loki

The ‘Father’ of Humanity and his ‘cold’ Minions

Raised by his one eyed Father the Saturn/Sun God Odin (played by Anthony Hopkins in the related movie Thor), Loki is also genetically connected to the Frost Giants (evil forces) and their desire to control the domain of the gods and the worlds influenced by them. I feel that the legends of the Frost Giants (below) in Norse myth  relate symbolically to the ‘Ice Rings’ of Saturn and the powers invested in what the Nag Hammadi (Gnostic) texts call the Archons.

The cold blooded (reptilian looking) Frost Giants
The Titans from the movie Immortals and the ever increasing 'machine-reptilian-like' world police force
The intelligence that dwells ‘on’ and ‘within’ the planet Saturn/Kronos (which has sought to influence the Earth – middle Earth), is very much, in my view, a metallic, robot, orc-like, ‘demonic vibration’ that has  ‘fallen’ in frequency and needs to harvest other life forms (energy) for it's survival. 
Saturn is the 'Death star' and the planet of contraction and as the 'Planet of Death' it fears it’s own end. It is also fuels the classic parasite (the ‘feeder’ and ‘hacker’) of other life forms. William Blake’s painting The Ghost of a Flea (Completed between 1819 and 1820) shows the ‘spirit of a flea’, as it could be seen in another reality. Many 'otherworldly parasites'  such as the 'Orc, the Goblin and the ‘Titans’ (above left), when seen from another level of reality, manifest as the control system. The growing militarization of the police (above right) ‘globally’ are no more than the Titans' in uniform crossed with Batman…mmm wonder why? Its a 'state of mind' and it is coming from the same source of origin. Visually its getting easier to see today!

Loki Tunes 'Hearts and Mind's to his Vibration

The Loki, Lucifer, Prometheus and therefore Saturn (or son of Saturn) Odin connection becomes more obvious once you study symbolism and mythology. The light of the world (the torch) is a specific type of light that has kept humanity enslaved in the physical senses – the ‘Freeze vibration’. 
In the movie Loki touches the 'hearts' of his victims with his scepter removing their 'consciousness' and in effect possessing them with his cold, heartless, life force.

 The lion Aslan must come and the energy of Aslan is coming to end the freeze vibration!

The ultimate persona of Loki is captured in the Avengers movie when he enters the 'human realm' and demands to be recognized as their 'father', their 'natural ruler'. In his arrogant and 'Dictator' tone he says;

"Kneel before me. I said? KNEEL! Is not this simpler? Is this not your natural state? It’s the unspoken truth of humanity that you crave subjugation. The bright lure of freedom diminishes your life’s joy in a mad scramble for power. For identity. 
You were made to be ruled. 
In the end, you will always kneel."

‘Calling Cubes’ for unseen forces on Earth!

Another theme in the Avengers movie is that of a powerful alien-like cube (called the Tesserat) that wields such power, it has brought Loki back to Earth to obtain it and use it for his evil ends. The same concept can be found in the Transformers movies, where the ‘All Spark’ (a Cube) is sought after by the ‘Decepticons’ who also run havoc on Earth and uses its radioactive power to open a porthole in the sky, so to bring into the Earth’s reality there very own world – Cybertron. In the movie Immortals (2011) the symbolism couldn’t get more blatant when a cube was used to imprison the race of Titans in the belly of Mount Tartarus to be released by the tyrannical ‘horned’ King Hyperion.
All Spark (Transformers), Tesserat (Avengers) and Titan prison (the Immortals) in the movies
The ‘transformation’ of our atmosphere today to a more radioactive one, I sense, is part of the conspiracy to aid in the genetic mutation and mass culling of humanity by a force that operates through the priesthoods that align themselves with their ‘alien’ (inhumane) masters and the technology the are masters of.

left) the logo for the Decepticons in the Transformers movie) found in occult numerology! Right) The Tree of Life is a double cube (tesseract)-10 sephiroth and can be found on the roof of every cathedral.
These cubes are symbolic of the life force and sacred geometry used by the ancient priesthoods to carry power (unseen) throughout the ages. The Saturn connection to the cube is also evident in the Mecca Kaaba (the black cube) and its symbolic relationship to the ‘Hexagon’ Star of David and of course the Christian crucifix (the cube unpacked).
The Tree of life is also evident in the Sephiroth arranged in a double cube and can be found in the architecture of cathedrals and religious temples all over the world. Religion is the biggest form of ‘esoteric’ mind control on the planet, so what is inside the Mecca Cube?
Concealing alien transmitters, energy porthole devices ‘inside’ relevant outwardly icons and symbols would fit perfectly, if you want to get the swirling masses focusing their energy on that source of ‘hidden power’. Our focus gives energy to the unseen worlds!

The 'mysterious cube of Mecca' a symbol and energy of Saturn 

Other themes relate to the stories of the Archons in the Gnostic Nag Hammadi Library that are also scouting for ‘worlds’ that they too can harvest, replicate and control. In the Second Transformers movie (The Revenge of the Fallen) the plot hints at an ancient epoch when the Primes, a race of robot intelligence (giants) that came into our Solar system looking for 'Suns to Harvest' so to keep their own planetary system alive. Despite the obvious fiction in these stories, I find the concept of 'harvesting' Suns' quite intriguing. The connection to the themes in Tolkien’s Lord of the Rings and the power grab by the 'metallic', 'radioactive' (evil) Sauron over ‘Middle Earth’ (possibly an ancient landmass that once existed) too coincidental visually
Have these film directors all been drinking the same brew?

Was Saturn our Sun (at the time of a Golden era on Earth) harvested by an extraterrestrial intelligence? And if so, was it’s energy ‘transformed’ into a Black Sun
Saturn is a dwarf star, so the notion of this ‘Gas Giant’, along with Jupiter (both the source of the great ancient ‘battle and clash’ myths) influencing Earth, is ‘bigger’ than most would realize. Questions I can’t go into here as I would need to write another separate article. 

The 'Fall' and the 'Rise' of the Predator

There are many sources in the ancient world that pertain to an invading 'alien' force that wreaks havoc on Earth. In the Avengers movie the character played by a ‘one eyed’ Samuel L Jackson (Fury) is the head of a secretive organization called S.H.I.E.L.D, stands for (Strategic Hazard Intervention Espionage Logistics Directorate) and is a United Nations funded covert unit with a secret council who direct and controls its operations. The Nasa logo also appears in this and many other movies and in theme the whole operation is hinting at the ‘Star wars programme’ and its technology that would be used to defend the Earth form an ‘outside alien threat’. As James Wilsdon wrote for the UK Guardian newspaper years ago in relation to the extended Star wars programme:

“... military control of space was the only way for America to avoid a ‘space’ Pearl Harbour”.

I personally would look to the ocean for revelation, but I’ll come to that in minute.

Saturn and Jupiter symbolism all in one film…nice.
Similar themes have been seen in other 'military meets alien technology style' movies not least the Transformers films. The X-men are other movies that bring together a mutant team to defend humanity from a possible threat from fellow mutants. I haven’t got time to go into the ‘X’ symbolism here, but again this is a Saturn based icon and relates to the 'broken cross' amongst many other things. The Spiderman movies and the Fantastic Four (there’s that number again) are also films that push the themes of genetic mutation, invasions from other worlds and the effects of radiation on humanity. I find it glaringly amusing that the most recent Spiderman movie The Amazing Spiderman, has a lizard humanoid (Dr Lizard) has his opponent.

As I outline in my book Journeys in the Dreamtime, there is a connection to this ever-growing appearance of a predator consciousness (which predominately takes on a demonic reptilian form) so we can collectively ‘see’ it and 'deal with it'. We are now in the time of the revealing and therefore all that has been remained hidden from our true sight (our limited vision) will be seen. I admire the writers in recent times that have identified, quite logically, the nature of the psychopath in our world and the damage that has been done by them; but, if it acts like a reptile, ‘thinks like one’, looks like one (see above and below) and wreaks havoc like one in such a predictable way,  
then lets call it what it is folks!

The word predator, which comes from the Latin predator, (praedari) and means to 'seize as plunder'. Here are dictionary definitions of a predator:

  • carnivorous animal or destructive organism: a carnivorous animal that hunts, kills, and eats other animals in order to survive, or any other organism that behaves in a similar manner.
  • Somebody who plunders or destroys: a person, group, company, or state that steals from others or destroys others for gain.
  • Ruthlessly aggressive person: somebody who is extremely aggressive, determined, or persistent (disapproving)
  • Greedily destructive: greedily eager to steal from or destroy others for gain
    Relating to predators: relating to or characteristic of animals that survive by preying on others.
  • Ruthlessly aggressive: extremely aggressive, determined, or persistent (disapproving)

All of the above describe the attitude of the elite power structures that have dominated our society throughout history. Whether it’s banking (predatory economics) to acts of aggression against any living creature - they all are predatory by nature. All war, terrorism, assaults on the planets ecology, systems of control and rule through fear, both covert and overt in nature, are part of the predatory stream of consciousness. In fact the very nature of human life has become a ‘predators paradise’ for forces that do not respect life and this planet and the predator consciousness as I call it, is the very system we are immersed in. But not for many more years.

William Blake's Ghost of a Flea (right)

In nature the word ‘predator’ conjures up imagery of tigers, crocodiles, lions and other ‘man-eating’ creatures. These animals are often called ‘Alpha Predators’, because they are part of an ancient group that have always ‘preyed off’ other animals including humans. According to scientists such as David Quamman in his book The Monsters of God, the predator consciousness is part of our evolution and worshiping it through the Alpha animals (lions, crocodiles, reptiles, etc) relates to our need to transcend the physical (fear based) environment we are made to focus on.

The worship of alpha predators can be found in all ancient indigenous cultures and whether it is the reverence of the lion in the Bible (about 130 times to be precise) or through the Shark kissing ceremonies of the Taka Manacca on the Pacific islands, the human reverence of a ‘non-human’ predator god is still the same. But what is the true nature of the predator consciousness? 
I find the ‘dinosaurs’ the most obvious of our original ‘official’ alpha predators and I would say this to those that still can’t get their head around an ancient ‘reptilian species’ that ‘acts’ like a ‘humanoid raptor’ (both in spirit and at the level of its mind),  
you need to open your own mind to ‘all possibility’! 

It’s okay to accept endless historical art, artifacts, ‘religious art’ and other curious finds as visual interpretations of a psychopath, but at what point do we see some major visual commonality that is screaming out… It’s a demon/reptile/entity. 
An entity that can possess and therefore ‘transform’ other energy/matter into the likeness of it’s own energy field. 
How did the Transformers children's cartoon song line go… “Transformers - robots in disguise”
It could be, “human psychopath’s – demons in disguise”.

Twenty people plus, including myself, witnessed such a ‘transformation’ in the clouds above an ancient Star Gate in Peru (Aramu Muru), when a demonic face (below) appeared in the clouds above a giant petrified rock formation that looked as it was “meant to look” – 
like a giant stone (multidimensional) reptilian/human figure!

Star Gate in Peru (Aramu Muru) notice the reptilian skull to the left and a sleeping dragon at its tale (right)


Other Strange Creatures

In relation to the above we also have tablets showing ancient drawings of the Mokele-mbembe creature, which have also been seen in the Pergouset Ice Age caves of France, that shed light on a very different understanding of our evolutionary past. These long necked stegosaurus like creatures can be seen depicted amongst more recognizable animals and scenes of daily life. Similar images can also be found on what are known as the ‘Palette of Namer’ (below left) from the Royal Dynasty of Egypt dated 3100 BC. These highly decorative plates show the same creatures that are depicted on the cave walls at Pergouset, being held on long leads by humans, possibly giants. 
Note the bull (horned) deities that flank the palette.


The ‘logic and reason’ behind these images on the palette and the realism of other animals and people portrayed around them, assumes that our ancient ancestors 'could' have actually witnessed these creatures? We'll never know for sure. But, similar themes of humans and dinosaurs co-existing on earth can also be seen in the huge collection of stone carvings owned by Dr Janvier Cabrera who lives in Ica, 150 kilometres from Nazca in Peru. His collection of stones and clay sculptures (above right) are shrouded in mystery and ‘scientific uncertainty’, in terms of their age. But, it is said that these particular artifacts came from caves under the famous Nazca desert (hushed up by the authorities) and depict many ape like humans riding on the backs of dinosaurs, using telescopes, along with thousands of strange alien-like creatures. 

But dinosaurs and humans only co-existed in the movies, yeah right?

Invading Reptilian Gods and Portholes in the Ocean

Many ancient accounts all over the world about an invading force that infiltrated and hijacked our reality and brought an end to the Golden Age society amid incredible cataclysmic events which included a ‘Great Flood’, or global tsunami.
I have had several vivid dreams that tell of a similar narrative in the times we are now living through an therefore I would say 'watch to the oceans, not the skies' when it comes to seeing how humanity will be 'invaded' once again. The movie Battleship (below right) also touched on similar themes with its alien machines emerging to invade the surface population.

In other dreams I have seen the ocean open up, like a plug hole and the ancient submarines surfacing amidst a world of darkness, lit by a blazing comet racing across the skies. The nearest I have seen visually to these holes in the ocean are the Bahama banks (below left) that go down beyond 2800 feet in depth. The holes could have been caused by meteor or asteroid strikes?

I would 'watch' the portholes in the ocean and their connection to the inner Earth!

In the Avengers movie, (as with the Transformers), the invaders are quite clearly reptilian and in the case of the Avengers Assemble both are 'metallic and reptilian' 
in concept and are even called the Chitauri!

I wonder if the Director of the Avengers movie, Joss Whedon, has read David Ickes' books? 

Either that or Credo Mutwa’s material is now worth considering for the movies!

The invading extraterrestrial armies in the Avengers movie
The Sumerian Tablets (thousands of the buggers) describe how a non-human invader race known as the Anunna or Anunnaki had caused the global catastrophes and rode them out in some form of 'spacecraft' until returning when everything had settled down. Zulu accounts of the Chitauri say that they had a Mothership but came to earth in smaller crafts, just like the invaders in the movie above. What followed the upheavals is another common theme in ancient accounts and this is where ‘making Man in my (our) image’ comes in and the sons of God (the gods, plural, in the true translation) producing children with the daughters of men. The Sumerian Tablets describe how the Anunnaki interbred with humans and genetically manipulated the human body (body-computer). 

Portable art found in what is now Iraq predating the Sumerian civilization

During the Babylonian period it is said that the Anunnaki gods were seeking to ‘rise’ from the ashes of Sumer and develop a strategy for controlling the native population they had helped create. 
To do this, the gods (which were few in number), needed to take out of circulation true accounts of their involvement in human affairs,  especially in the pre-flood world. What did they do? They invented what became the Bible and holy book - A users guide for those that need a God to tell them how to live their lives. "Job done", as they say.

  Can it get more obvious? The Scientist humanoid- Lizard God in the Amazing Spiderman movie?

For those that doubt the existence of extraterrestrial life or even inter-dimensional realities (same thing), then consider this for a moment. 
According to science our sun is only one of some 100 billion stars in this galaxy alone,
with 100 billion galaxies in our Universe, of which there are at least one million planets in our galaxy that could support life as we know it! Millions of people have seen UFO’s (including the most skeptical) and at least fifteen million Americans have seen them since the 1970’s. 
At this point we need to ask ourselves why the ancients aligned their temples and monuments with scientific precision to specific constellations? 
What is hidden from our sight at ‘sites’ all over the world? 


Opening the Portholes

Another theme in certain movies in recent years are the ‘merging’ of realities and the bridging of worlds, for the detriment of the Earth.  In come the strange beings found in folk- lore (the elves, trolls and fairies) who are said to dwell both in the astral/etheric world and the ‘underworld’ within the Earth and the ‘underworld’ above the Earth. The Maya called these interdimensional entities the Lords of Xiballba, the rulers of the underworld – the lower fourth dimension. The same demonic entiites (states of awareness) would go on to take over the mystery schools that had originated out of the 'pre-historic' global civilizations of Atlantis And Lemuria.

Who is actually 'running' the show? Bible Studies anyone?

For those that think the idea that lost civilizations such as Mu couldn’t have existed then I would suggest looking at the work of Klaus Dona and his Hidden History of the Human Race’ videos. In the documentaries a pyramid and other monuments are shown 25 metres under the sea off the Japanese island of Yonaguni. All over the world evidence has come to light showing submerged stone streets, a stadium/Coliseum type structure and huge depictions of a turtle and a bird. Similar monuments and structures have been found off the Atlantic island of Bimini and elsewhere. They are what they are!

 So whatever entered the collective mind/earth reality to end the lost civilizations may well have been a 'merging of realities', or a physical invasion of otherworldly beings that would love to open those portholes again to wreak havoc on Earth at this time around. The Mayan 2012 diversion, along with many other apocalyptic legends are designed to ‘create’ such events and so are the endless movies in terms of ‘programming’ for those that would be ready to accept a ‘The Day the Earth Stood Still’ event. The one eyed gods were the ‘real’ masters of the Earth in an ancient epoch.

It’s been my feeling for many years that the Mayan’s were a ‘dark’ and heavily non-human guided civilization. They had a huge thirst for blood letting (along with many other ancient civilizations named earlier in the article) and the Mayan god of darkness, violence and sacrifice was Camazotz (below), a flying bat god who inhabited Xibalba, the Mayan hell. 
Originally an anthropomorphic bat monster worshiped by the Zapotec Indians of Oaxaca, Camazotz was adopted into the Mayan pantheon as a vampire killer who reveled in slaughter… like many movies from the Blade Trilogy to Dark Knight (Batman) along with the endless vampire films, we are looking at a 'non-human' that 'feeds' off 'human life force', whether blood or fear. The decepticons (above left) in the Transformer movies also seek to wreak havoc on Earth caring not for the consequences of their acts of destruction against humanity.

 All war is easy when you have no empathy for others!

Movies whether a disaster, war or other genre offer certain levels of predictive programming embedded within the imagery, the symbolism and of course the narratives, which are designed to create such versions of reality ‘collectively’. I am not saying that every movie is having that effect, but many film scripts and stories are peppered with ‘archetypal truths’ as a trigger point for our ancient memories. Of course, truths’ do not necessarily become realized when surrounded by sublime ulterior motives. 

As Carl Jung said, “ Archetypes are systems of readiness for action, and at the same time images and emotions. They are inherited with the brain structure - indeed, they are its psychic aspect”

More to follow in June after I’ve seen the big Ridley Scott movie – Prometheus.