Elysium – ‘Life after Death’ in the New World Order

The latest movie by Neill Blomkamp is everything you would expect from the predictive ‘programming unit’ called Hollywood. It’s another summer blockbuster, with its symbolic references to ‘Star-ship Empires’ built for an 'elite' in the ‘not so futuristic’ technological police state that awaits humanity. A future that is fast moving towards us unless we wake up? I am going to weave together several themes and connections that look at 'Elysium on Earth' and for those who read my blog, you will know that the theme of world ‘Havens’ for a future 'elite' is a common one that crops up in other movies a lot over the years. See the recent movie Oblivion for starters. What are they ‘preparing’ us for eh?

Elysium - the place of the dead
The Greco-Roman Heaven called ‘Elysium’ was often referred to as the place at the ‘ends of the Earth’, a place where ‘heroes’ were conveyed by the gods after death. Elysium is the home of the god EL for more information see my review of El -Superman - Man of Steel movie article. In this review I have italicise El so to reinforce this connection to Saturn and the El-ite.

Elysium was said in myths to be a place or ’state’ of perfect happiness a heaven that awaited those that served their gods, and men/woman alike, through heroic acts and gestures, would have a place in Elysium. The main character in the movie Elysium, called Max de Costa (played by Matt Damon) is certainly shown to be a ‘hero figure’ and ‘redeemer’ as I will look at later. The movie shows de Costa as a little boy (below) throughout the story remembering his childhood and desires for getting to the Elysium. It’s a giant ‘wagon wheel’ in the sky for this small lad. On second thoughts it looks like a ‘Space Invader’ crisp (snack-chip) from the 70’s. Enough on snacks Neil and back to the movie…

Dante and Beatrice gaze upon the highest heavens; from Gustave Doré's illustrations to the Divine Comedy (left). Just as little Max Gazes upon Elysium in the movie

Damon seems to play a lot of roles that depict ‘supreme soldiers (agents) or fighting machines’ capable of wreaking havoc ‘from within’ the El-ite intelligence networks, and this movie doesn’t disappoint in that way. See the Bourne Trilogy movies. In Elysium Damon becomes a ‘hybrid fighting’ machine that continues this theme with the usual vigour. He is the 'futuristic hero warrior' that goes through 'trans-human' transformation (often near death) and awaits his heaven, like all the other heroes before him.

The famous scene from the movie Gladiator (starring Russell Crowe above) offers us the connection to the Elysium fields, the place of the dead he visits in his dreams as he lays dying after defeating the psychopath Caeser in the end scene of that Ridley Scott movie.

He says to his Roman legions in Gladiator:

"Stay with me! If you find yourself alone, riding in the green fields with the sun on your face, do not be troubled. For you are in Elysium, and you're already dead!"

And we have of course, ‘psychopath leaders’ (already dead) in Elysium too, as we shall see. The ‘old order’ and the ‘new order’ are but one and the same.

ELY-SION
Elysium or the Elysian Fields also written as (sion pedÌon) was another term for the ‘after life’ created out of the beliefs and secret societies of ancient Greece. The Roman belief in Elysium would also follow suit. The ‘star’ or ‘Sun’ (Sion) connection is obvious for those who have studied symbolism and Elysium is both a star and a wheel. The El-ite bloodlines have been documented in many books over the past 20 years or so show the lucid connections to Sion, Jerusalem and the DNA of the El-ite. Again in the movie Elysium we see how the El-ite are genetically selected to look down on Earth’s population from their heavenly abode.

From Kin (King)-ship to 'Spaceship' and the obvious symbolic connections to the ruling bloodlines living in their heightened ‘State’, in the film, is much deeper than we first glance. Sion (Zion) Symbolism also relates to the Holy Blood (Sangreal) ‘legends’ and the Bloodline genetics of the El-ite. Therefore in Elysium, it is those selected by blood (DNA) that can live there.

Saturn (EL) or Cronos was also the God of ‘time’ and often depicted in Roman and Greek art within the ‘circle of time’ – the loop of time. In another form he is also the god Mithras who was often depicted encircled by the loop of time.

The cross (cube) and ‘Circle’ combined in one image is embodied in the ‘Celtic Cross’ (below) and the Symbol of the Priory of Sion (Sun-Saturn) below right. Alpha and Omega in this symbol again relates to Elysium myths and the 'beginning and the end' as one state. See this website.

Various Sun (Sion) cross, star wheels. Cronos encircled above right and the Merovingian emblem bottom right.

In Greek and Roman mythology Elysium was separate from the realm of Hades (the underworld), and admission was initially reserved for heroes and mortals ’related to the gods’. As I have already said, in the movie of course the Elysium space station is a ‘First class carriage’, the ‘Premiere league’ abode for those that have been ‘genetically selected’ to live there, while the rest of the Earth’s population lives in squalor and pandemonium. On that note we do love our class 'ranking' systems on Earth, don't we? Its in our genes me thinks. From Caste systems to seats on flights, we just love a 'star rating'.

We have countries on Earth now today that are living examples of this squalor and segregation as I‘ll get to shortly. Genetics are a huge key to the future of Earth’s population and this movie blatantly is telling us that only the ‘select’ genetics will reach Elysium – the New World. Interestingly, one of the 2012 London Olympic symbols was the ‘DNA Ring’ (below right) and DNA is a ‘material object’ to the El-ite, due to its power to transform reality. The DNA database is a weapon for those wishing to change the biological composition of the Earth, and with it, bring about a very different world. Look around, it its glaringly obvious that our world is slowly being moved towards an Elysium style future existence. With the plot of the movie in mind, the human population, I would suggest, is being ‘lured into a final alchemical transformation’, promising the secrets of the universe and the ‘extension of life’ through the ‘trans-humanist’ agenda, which many have been exposing in recent years.

Elysium the home of those with the 'chosen DNA'.

The Elysian Fields in the Sky
The Elysian Fields were, according to the Greek poet Homer, located on the western edge of the Earth by the ‘stream’ of Okeanos. In the time of the Greek poet Hesiod, Elysium, would also be known as the ‘Fortunate Isles’ or ‘the Isles’ (or Islands) of the ‘Blessed’, located in the western ocean at the end of the earth.

In Western art, Elysium was a favourite subject for the pre-Raphaelite painters and symbolists that of course massively connected to the El-ite ‘circles’ of the 18th and 19th Century Britain. The Waters of Lethe by the Plains of Elysium by John Spencer Stanhope (below right), is but one example. John Roddam Spencer Stanhope (20 January 1829 - 2 August 1908) was an English artist associated with Edward Burne-Jones and George Frederic Watts and what is often regarded as the second-wave pre-Raphaelite movement in art history.

Left: Goethe's Ankunft im Elysium by Franz Nadorp. Right: Lethe by the Plains of Elysium by John Spencer Stanhope

Along with Henry Wentworth Monk and the likes of John Ruskin (Royal Academy – Order of St George), the Pre-Raphaelite ‘brotherhood’ we’re deeply connected to the Zionist (Sionist) movement of that era. And Zion of course is symbolic of that holy place (Haven or home land) that the ‘chosen few’ would return to, to be protected by and of course defend from outside threats. Call it the ‘build a great wall syndrome’ if you like, to keep the 'unclean out'.
See also Z(s)ion in The Matrix movies (located inside the Earth) and of course the ‘time loop’ Star Station in Elysium (located outside of the Earth), its all the same thing.

Left: Zion in The Matrix, Right: Elysium in Elysium

In the movie, Elysium is positioned ‘outside the earth’ physically and from the ‘earth perspective’ it ‘is an oasis in space, looked upon by humans on earth as ‘the ultimate dream home in the heavens’. I suppose it would be if all around you is death, disease and degradation? In the movie it said to be home to a half-million ‘ultra-wealthy (El-ite) citizens’ (the chosen ones) contained in architectural vistas over 37.2 miles (60 kilometers) in diameter and 1.86 miles (3 km) wide (see below).

If only Centre Parks was this good?

In several scenes it looks like how our Moon would look ‘viewed from space’ (along side the Earth), and interestingly we do not see any shots of the Moon in the movie, because the Moon is the ultimate Elysium for the El-ite currently on Earth. More on the Moon as an 'artificial' satellite in books such as Human Race Get off Your Knees and Who Built the Moon, to name but a few.

Space Colonies - Nothing New there.
NASA and Hollywood combined has given us many examples of Space stations occupied by humans, too many to go into in this review.

The first release movie poster for Space Odyssey 2001 by the now deceased ‘insider’ filmmaker, Stanley Kubrick, featured a space shuttle departing a rotating space station. Artist Chesley Bonestell's depiction of a rotating station in Earth orbit appeared in Colliers Magazine in the spring of 1952 offering similar themes. In the 1970s, NASA scientists studied the possibilities of building giant communities in space, and one of NASA’s summer study program at Stanford University in 1975 became known as Island Two and would have housed 10,000 people in comfort.

Coincidentally, physicist Stephen Hawking speaking to a group of nurses and doctors in Los Angeles recently was quoted in the Press, as saying, “ ... he did not think humans would survive another 1,000 years without escaping beyond our fragile planet.”  And, to “Look up at the stars and not down at your feet.”  I’d prefer to sort Earth out myself, not move off planet thanks.

Earth at the mercy of the Elysium El-ite
Elysium is set in the year 2154, and ‘wheel (eye) in the sky’ is a governed by President Patel (actor Faran Tahir), in a typically utopian setting which includes access to private medical machines that offer instant cures, while everyone else lives below on the overpopulated, disease-ridden, ruined ‘Third World slum’ that Earth has become.

Earth's Third World Slum - 2154

Time and time again we see a future Earth depicted as a dead zone peopled by the ‘unwanted’, humans all fighting for what little resources are left on the surface world. The symbolism is perfect in terms of its connections to the Saturn Cult and the themes that relate to the God of Death (EL) reigning over a ravished surface world. It is El’s dominion, El or Hell, and in Elysuim we are shown a clear future vision of 'Hell on Earth'.

EL - the God of death

In the movie, those who maintain Elysium will stop at nothing to enforce ‘anti-immigration laws’, execute ‘untagged’ ‘unclean’ civilians (from their self-righteous perspective) and preserve their chosen citizens' lifestyle - even destroying ‘ships’ that attempt to fly to Elysium. Sounds like a few States on Earth today eh? Just look at these pictures of Gaza, Syria, etc, and tell me that they don’t look any different to such futuristic movie themes. The Power mad, crazy El-ite are gradually turning our world into the places we see in the movies year after year. why? Simple answer, 'because the El-ites' masters' are straight out of Hell! See my other articles for more on these entities.

Homs, Syria - How beautiful (sic) it now looks since the 'god of death' came to town?

The movie and reality. Left: A future Los Angeles in Elysium. Right: Gaza. The work of those that love 'death'.

Greek mythology sometimes differs in the detail, but where Homer in Odyssey talks of the ‘fair-haired’ wise King Rhadamanthus (the son of Zeus and Europa) dwelling in Elysium, other writers like ‘Pindar’ and Hesiod, say it was Cronos (the ‘cold hearted’) who ruled over Elysium.

The El-ite are very much cold hearted and superficial in the movie. The CEO of Armadyne, John Carlyle (above), played by William Fichtner is the rare Elysium citizen who's obligated to spend time on Earth. With branch offices and facilities in London, Paris, Madrid, Rome, Moscow, Sydney, Tokyo, Seoul, and Mexico City, Armadyne is not only one of the planet's biggest and most valuable Elysium contractors, but also the company responsible for ‘building it’. It’s the World Government military/industrial construction arm by another name.

Black is Saturn’s colour and both white and black are the colours worn by the Elysium elite in the movie and both colours are used in the duality of Saturn worship. Of course Red is another colour that is connected to Saturn and the blood that is spilled in the name of Cronos and the El-ite robot force are black and red in the movie (above right).

The actress Jodie Foster plays the Archon-like cold hearted ‘Secretary of Homeland Security’, Delacourt Rhodes (below), who doesn’t give a second thought to ordering the deaths of humans in Los Angeles that are seeking a way out of what looks like an 'open air concentration camp' on Earth. In one later scene she passes an executive order (a coup d'etat) to remove the current president, and behind her on the screen is a red inverted Elysium star (pentagram).

Archon Delacourt

None of this is a coincidence and these types of movies a ‘programming’ us to accept this type of 'reality' of squalor, war torn dead zones and devastated cities as a viable future on Earth. See the movie synopsis here:

In Mexico City, in Johannesburg, in Rio you have pockets of great wealth, gated communities, amidst a sea of poverty. And I think that's where the major cities of the US are going to end up, too, unless Americans wake up to what is actually happening. Neill Blomkamp said,

"I tend to think a lot about the topic of wealth discrepancy, I think the further we go down the path that we are on, the more the world will represent the one in 'Elysium'.”

I think he knows something?

I’ve seen on some internet reviews that the director Blomkamp (who grew up in South Africa during the fall of the white supremacist regime) has another movie line up called Chappie, which was supposedly based on a 2004 short film by himself titled Tetra Vaal, which is a fake advertisement for robots designed to ‘police the slums’. Basically it’s is other movie District 9 (based in South Africa) with robots controlling human slums instead of humans controlling alien slums.

It’s no coincidence that the forces that ‘dream of installing a vicious police state’ while hiding behind a sense of superiority that needs protecting at all costs (visible in our world today), and the way the Elysium EL-ite perceive immigrant humans in the movie, are basically the same mind set - the same mentality. Its what the El-ite on Earth have planned for the next generations, if they get their way. The Agenda does include a Robot police force, a vicious Police State that will administer these dead city zones and movies like the Hunger Games, are only the beginning of something terrible, unless we start to ‘see the world’ in a very different light. Like I said above too many scenes in the movie made me think of the current suffering in parts of the world, (not least Gaza in Palestine) whose population has been systemically treated like ‘lesser beings’ by the political state of IsraEL and the robot-like military that does their bidding.

Left: 21st Century. Right: 22nd Century

2150’s  - The Saturn Era (Its all in the Movies you know)
Elysium occurs in the year 2154 AD, which is the exact same year that the Avatar movie (2009) takes place in. The dates come up in the Dr Who series too with the Daleks' Invasion Earth: 2150 A.D, which was a film adaptation of the second Dr Who TV story to feature the Daleks. Also, in the movie Global Agenda the year 2155 is the focus, and depicts the Commonwealth, an oppressive world government, which is determined to control the entire planet. Syfy's Mission Genesis TV programme is set in 2157, based on ‘Deepwater Black’ (heard that name before?) a 1995 novel, first in the Deepwater trilogy, by the New Zealand science fiction writer Ken Catran, where a cast of young characters are supposedly stranded in space while a virus ravages Earth. Zombies, viruses, a ruined earth, its all in the scripts folks. The world according to the sick of heart and mind, is supposed to be a very different Earth in the 22nd Century.

Cronos - Wheel’s, Eyes’ and Stars
The connections to Saturn, Elysium and the empires that ‘believed in such a place’, can be clearly seen in the ‘father god’ of historical tyrannies called Rome.

Rome was called Saturnalia and ‘Saturn’ was considered the God of the Golden Age on Earth. Cronos (Saturn) was also the Roman god of time, the ‘wheel’ and many images show Cronos encircled by the wheel of time, as mentioned earlier. According to the Opus Magnum (The Great Work of Ages), in alchemy, It’s goal is to ‘restore’ Cronos to his paradise state and this is what Elysium symbolises - the 'new Cronos', the new paradise or ‘star wheel’ in the sky.

Elysium rising over the Earth

The Symbolism of the wheel in ‘alchemy’ also relates to the 'beginning and the end', 'life and death', a place where the centre is neither living nor dead. The wheel is also the holy of holies in Jewish belief, which attracts the number seven to it numerologically. In symbolic theme only, the 'star wheel' it is not too distant form the 'menorah', a seven-branched candelabrum used in the Jewish Temple. Lighting the tree at Saturnalia (Christmas), lighting the candles on the menorah, placing the ‘star’ on the tree are all symbolic of the ‘new light’, the new Cronos. According to Jewish belief the light from the menorah is not a violent force; One text reads;

Israel is to accomplish its mission by setting an example, not by using force, highlighted in the Zechariah 4:1-6. Zechariah ‘sees a menorah’, and God explains: "Not by might, nor by power, but by my spirit."

Looks like that was all forgotten along with ‘Thou shall not kill’?

The Elysium star wheel also shows a five-pointed star (a pentastar) and the 2 circles that encircle it equate to the number seven (5 points and 2 circles = 7). And seven was the number associated with ‘heaven on earth’. The connections to the five-pointed Star (Pentagram) from a metaphysical perspective of course is a common ‘occult symbol’ but, visionaries and alchemist considered the ‘star wheel’ to be a symbol of the time of Eden, the place ‘before the Fall’ and therefore Elysium is/was the ‘Garden of Eden’. The movie certainly depicts this Eden-like place for the ‘chosen ones’ that inhabit its ‘Chrysler-like logo’ space station. Incidentally, the Chrysler company, founded by Walter Percy Chrysler, who was a huge Freemason, (weren’t they all?) and from a powerful El-ite family connected to Europe, (not least Germany). They sold cars (Valiant, Plymouth, Dodge, Chrysler, Imperial, Hillman, Sunbeam, Singer, Humber, Simca), trucks, industrial and marine engines, boats, army tanks, air conditioners, heating systems, chemicals, plastics, missiles, electronics, and financial products. Chrysler, along with Fiat (Agnelli family), which now owns most of Chrysler, all have a history of being connected to the El-ite circles. Along with the subtle Mercedes connection to the star wheel, it's clear that the ‘Armadyne Corporation’ in the movie, is merely a futuristic amalgamation of the 20th Century industrial giants, like the car companies in league with the military (Pentagon), etc.

'High 5' and '7'
The Magic and symbolism relating to the pentagram can be found in numerous sources form Freemasonry (see above) to alchemy (same thing at the highest levels). Number symbolism is all over antiquity and the geometric symbols of five are, of course, the pentagram and pentagon. As with the El-ite Pythagoreans (pythons), the pentagram was a symbol of recognition for certain secret societies, such as the Freemason’s ‘Flaming Star’ and was supposedly on shield of Sir Gawain, one of the Arthurian Grail (bloodline) Knights. The classic symbol is that of man as Microcosmos by Agrippa (below left) and of course that Sion Master of art, Da Vinci’s Vitruvian Man – the Divine ‘hu-man’ or ‘light-man’. Elysium is therefore the place for the divine human, the chosen ones. The apple (knowledge) so famous in the Garden of Eden is also a pentagram at its core. Knowledge is ‘neutral’ its how it is used.

The human form divine & the Garden of Eden

In occult language the ‘pensu’ was the Etruscan form of the 'Pali panca', the Sanscrit pânch,  or the Bengali pânch, and the Greek penta, i.e., five. And five, certainly, would be an appropriate word for the pentangle and is the metaphysical connection to the Elements on Earth (above right). We also have the knowledge that connects to the ‘flower of life’ (new life) and from this the foundations for building new life or a ‘new natural order’ or 'acts of creation'. Just as Eden was lost to a 'new Earth ordered by God, (EL) in biblical legends; in the movie, Elysium is the ‘New World Order’ that is created by those  ‘playing God’, being selective about who has the right to ‘life’ there.

The Eastern Star
The Order of the Eastern Star is a Freemasonic ‘fraternal’ organization open to both men and women, which supposedly has the likes of Madonna in its ranks (so they say)? It was established in 1850 by Boston, Massachusetts, lawyer and educator Rob Morris, a former Freemason official. The order is based on teachings from the Bible (see above) and the occult artist, and Elite connected ‘Eliphas Levi’ (Alphonse Louis) was its main protagonist. He had a deep impact on the magic of the Hermetic Order of the Golden Dawn and later on the ex-Golden Dawn member we all know as Aleister Crowley.

Elysium seen from another angle. Left: Eastern Star Lodge. Middle; the sigil of Eliphas Levi and the classic inverted pentagram inside the wheel (ouroboros)

He was also the first to declare that a ‘pentagram’ or five-pointed star with one point down and two points up represents evil (oh what a surprise alphonse?), while a pentagram with one point up and two points down represents good… He would know!

Robots rule - DARPA (what again?)
Early in the movie Max Da Costa has to attend a parole interview where he sits in front of a literal robot ‘officer’ to discuss his parole history. What struck me visually about this scene was how telling it was with regards to what I’ve experienced in many ‘official interviews’, ‘job centre reviews’, general ‘civil office’ encounters and the usual council bureaucracy. We already have ‘robot phone calls’ and in some cases ‘robot humans’ in uniforms, but the ‘clown like’ robot officer could well be a reality in years to come. Robots running the show and robots policing those humans (like D Costa in the movie) that step out of line in the ‘New World Order’, isn’t far off.

Job Centre plus in the 22nd Century

After a serious industrial accident leaves him dying of radiation poisoning, 36-year-old military factory-worker and ex-con Max has only five days to get from Los Angeles to Elysium in order to be cured. Max interestingly is helping to 'make the very robots' that are policing the masses and like Jesus in Martin Scorsese's Last Temptation of Christ, (who is making crosses for the Romans), Max’s fate is that of a Jesus-like hero that will sacrifice himself for mankind.

After falling into the hands of the criminal underworld he is already connected to, Max is fitted with a 'powerful exoskeleton' and attempts to kidnap John Carlyle in order to steal his identity and hijack his way into the El-ite database of Elysium.

Max - the trans-human warrior

The emphasis on micro-chipping and ID tattooing (branding) in the film is part of the agenda too. Motorola announced in May 2013 that the use of Electronic tattoos (below) could be used instead of PIN numbers and passwords for websites and other mobile technology. In the movie humans are branded so to give them clearance for Elysium and allows them to function in the New World Order. No chip, electronic Tattoo, etc - your not a human in the new world – get it?

The Mark of the Beast

The Hero Returns

Max now a fully functioning part-man, part-machine pits himself against Elysium's Secretary of Homeland Security Delacourt Rhodes (Jodie Foster) and her violent secret police forces, led by Agent Kruger, played by Sharlto Copley (below). Max also rescues his childhood friend (love) Freya played by Alice Braga from the psychopathic Kruger, along with Freya’s daughter Matlida (Emma Tremblay) who is suffering from Leukemia. Both Max and Matilda seriously needs access to the advanced healing technology on Elysium. Only the 'real healing’ technology (cures for cancer anyone) are available for the El-ite, up in the star wheel. Death is the prime ruler of Earth under the watch full eye of Elysium and therefore the rest of the global population are left to keep using Big Pharma’s arsenal of ‘body-destroying weapons’.

The use of Saucer ’drones’, robot troops and taser technology is awash in this film. The movie I Robot depicts a corporate robot army ‘installed’ to initially help humanity in 2035, but of course, these robots were placed there to be turned ‘against humanity’ once the population had bought the propaganda… sound familiar? The I robot scenario is closer than we dare to realise. 

With Elysium, It was as if DARPA had allowed the filmmakers into the secret armoury to have a play?  The exoskeleton, most notably, is more primitive than what’s already available, and the robot military police look alarmingly like the ones that exist today.

What the public are 'allowed to see'

Basic Exoskeleton in use today, what on Earth will it be like in the future?

How much longer will it take for folk to realise that the future is already here. We can only change the future projection by engaging in the present agenda effectively.

As I say, Drones patrol the skies, rail guns cut men to ribbons, robots enforce order, bullets seek their targets and exoskeletons confer superhuman strength and agility. Welcome to the future folks.
I-pads, tablets, smart phones, laptops tasers, we have em all and like I’ve said many times before, its only the beginning for those that can wipe the sleep from their prophetic eyes.

The gang lord Spider at work

In the end Max finds himself on board Kruger's shuttle and forces it to crash land into Elysium. From then onwards a huge battle ensures between a power mad Kruger and the saviour sent to free Earths population by 'downloading the data' in his newly created CPU (his chipped Brain) by plugging into the main frame of Elysium. Helped by the LA underworld and led by a Gang Lord called Spider, played by Wagner Moura (above), they manage to re-boot the computer that controls Elysium and give back to humanity their ‘identity’ has rightful 'new' citizens of both Earth and Elysium.

The data-knowledge at the core of Elysium is wiped and ‘re-installed’, so to welcome all those that had originally being 'denied sovereignty' and  'access to the technology' that Elysium harboured. As Krishnamurti once said, “ The end of knowledge is the beginning of wisdom”, and this symbolically is shown at the end of the movie when a robot ‘refuses’ to arrest the now newly 'installed humans' to Elysium. No more separation -  the people of Earth are one again. The ‘re-booting’ of Elysiums’ 'main frame' (the Zion mainframe) ‘the people’ are granted supplies, food, healing (medical units that can cure anything at atomic cellular level). All are dispatched to Earth for those that were in need of healing. Health Care plans not required!

The message in the movie on one level is saying, For the El-ite of Earth and the ‘self righteous States’ (and so-called Democratic ‘regimes’) that support segregation and injustice all over the planet - something greater than Elysium is coming to this world. Its called the Truth.

As Albert Einstein said:

"In matters of truth and justice, there is no difference between large and small problems, for issues concerning the treatment of people are all the same."


Until next time
Neil

Cancelling the Apocalypse - Creating Beasts to fight the ‘Beast'

Pacific Rim is an American science fiction film directed by Guillermo del Toro, who gave us movies such as Hell Boy and Pan's Labyrinth, to name but a few. Being a bit of a kid myself and of course being a child of the 70's brought up on a steady diet of movies and cartoons littered with opposing forces, I had to see this one! Its another 'colossal' article, I got carried away as usual.

At the time of writing I am in France sitting alongside the River Seine, one of the many ancient rivers that have legends connected to mythological creatures emerging out of rivers and lakes to haunt humanity (a common theme across the globe). In France the gargouille (known as Garguiem), not to be confused with gargoyle, was allegedly a water-spouting dragon (more like a serpent dragon, because of its long snake like body) that was said to have appeared in the Seine River in France at the time of St Romanus of Rouen. It was said to terrorize boats and flood the land. The same creature appears in China called a Kiau, which is of course very similar to the Japanese Kaiju in scores of legends, literature and films.

Despite the myths (too many to go into here), there are of course many large real living sea creatures from Squids to the oarfish, the latter of which has a snake-like body and can grow up to almost 10m long. From this perspective the movie Pacific Rim is not unique in terms of its themes, but the film glaringly places 'in your face' symbolism, much of which I have written about on this blog time and time again. Some of which I'll come to shortly.

The Not So Unique Plot
The film is supposedly set in the 2020s, when Earth is coming under constant attack by Kaijus, which is a Japanese word that literally translates to "strange creature". However, the word Kaiju has been universally translated into English as "monster" or "giant monster" and refers to unnatural creatures of immense size featured in science fiction films, lets say a kind of speciality from Japan. In Pacific Rim, these colossal reptilian ‘often shark-like’ monsters have emerged from an inter-dimensional portal on the floor of the Pacific Ocean. No you didn't read that wrong. 

The movie goes beyond your classic Godzilla meets King Kong movies, as it places us in a possible 'ancient future' for Earth, and even if it’s merely symbolic, the imagery is very telling in my view. 

The period in which the film is supposedly set is 2020 through to 2050, which from my research is an important window of time for those that seek to control humanity.

Hobgoblins help create a World Government

The film begins in 2013. Deep beneath the Pacific Ocean, a fissure opens up, that leads to another dimension. Through the fissure, a giant reptilian like monster appears, and destroys portions of San Francisco. After many days and countless lives lost, the creature is defeated.

The arrival of the inter dimensional Kaijus, which I'll come back to shortly, cause a stir. Well they would wouldn't they? In response to these creatures humanity unites under a common "fear" to form a world government and world army (but not just any ordinary army) a robot army called the Jaeger Program. 

The symbol for this global authority, not least it's war machine arm is symbolised as a phoenix or 'winged crest', which for anyone who has studied symbolism will know, refers to the winged entity that 'rises and presides' over a 'new world'. The Gypsy Danger robot as part of the the Jaeger Program blueprint depicts the winged emblem below left.

The same symbolism is used in the Hunger Games motif and that movie of course is straight out of the Agenda 21 future direction for humanity, the loss of land and the imposition of draconian laws by an elite over a massive peasant class (caste). In relation to a 'threat' by an aggressive force alien or otherwise, H.L.Mencken (1918) wrote;

“The whole aim of practical politics is to keep the populace alarmed (and hence clamorous to be led to safety) by menacing it with an endless series of hobgoblins, all of them imaginary.”

I think you could safely say that 'being alarmed' would be an understatement if a giant Godzilla creature set out to depopulate London or any other city.

The phoenix or eagle also relates symbolically to the new order of Gods and in this case, these gods have gone into battle with the titans, the Kaijus'. 

The winged disc or sword with wings is also a classic ancient Saturn symbol and relates to the now gaseous giant as the Lord of the Rings, ruling over a golden era on a very different Earth. The more I look at Saturn symbolism, the more I see a ‘thought form’ (wave form), a vibration that permeates the collective thinking of humanity. For more ancient information I can recommend the Saturn Myth by David Talbot and of course David Icke's new book The Perception Deception due out this Autumn. I would suggest however that the Father God is also Saturn (the shining crescent), which was often depicted as a ‘boat or ship’ in ancient symbolism.

Colossus, Titans and Gods
I’ve said before in other articles, what 'could emerge' from the sea will be used to ‘bring about’ a New World Order. Not least the obsession with World War by those that worship the 'beast' in all of its forms. The so-called inspired script for a future scenario, otherwise known as the book of Revelation, also gives us a flavor of the type of "beasts" that 'could' emerge from the sea.  So does the movie Battleship. Hollywood is forever tempting our minds eye with what is actually possible and what kind of war machines could be used against humanity in a not so distant future war.

Gives a whole new definition to the Beast in the book of Revelation?

The beast in Revelation refers to two beasts, the first beast is said to come "out of the sea" and the second, from out of the Earth. The first is said to be given authority and power by the dragon (Revelation 11:7) and comes out of the abyss. This beast’s appearance is described in detail in Revelation and in my view relates to the 'totality' of the New World Order and what political-war machine will be used to 'try' and bring it about. 

The Beast that comes from the sea also bears a name, but this name is not given anywhere in the book of Revelation. Typical eh? However, the text goes on to say that ‘his name’ corresponds to a numerical value, that of the number 666 associated with that of a man. The "mark of the beast" can be identified by either the beast's written name (vibration), or the numerical value of his name (vibration) and of course its says: “Without this identification, one could not buy or sell.” We all know on one level this relates to the human micro-chipping agenda, exposed by various authors and researchers, but numerologically 666 also relates to Saturn’s square (see below). The Square of Saturn which makes up the Seal of Solomon equates to 666 when calculated both horizontally and vertically. It doesn’t take much effort in imagination to see that Saturn equates to 'Satan' and therefore the 'Fallen Sun' (winged angel) in religious texts.

The second beast is said to come from "out of the earth" and this ‘entity’ directs all peoples of the Earth to worship the first beast - the ‘body’ that becomes the 'World Government', in my view, due to the great war and fear that comes with the beast. The second beast is described in Revelation 13:11-18 as the 'false prophet', this person/government/ authority preaches for a new world order. I’ll leave that one for you to ponder on? The two beasts in Christian belief are aligned with the great deceiver, the dragon, the devil as such. The ‘new human’, or the ‘trans-human-GMO-micro-chipped human', under the rule of the ‘beast’ would certainly be not like any other ‘man’. One text accredited to Marduk the Babylonian father deity in his role as the creator of a the new human reads; “I shall bring into existence a robot; his name shall be Man.”
The robot in this sense is the possessed human form – a human that is more machine than human.

 Titans, Sink Holes and Krakens
In ancient legends we have Colossus and the Kraken in Greek mythology that are representations of the Titans (the gods) of the underworld. Quite often the underworld was associated with the depths of space, or the ocean of space. Saturn of course being the Titan supreme who fought his son Jupiter in the epic clash of the titans (battle of the planets), birthed many other legends. see my other articles for more information.

The Kraken came from the myths or sagas of Norse folk lore, more than a thousand years after the Greeks. A legendary creature, the Kraken resembled a giant squid and was known for destroying ships. Its tremendous size and power aligned it with the 'titans' and in myth and legends he was often referred to as the last of the Titans. In Norwegian folklore the Kracken seems to have been very real and talked about by fisherman from the 16th Century as a monster that came out of the sea. From Leviathan to the Lochness monster, and from the Nomo found in the creation myths of the Dogon of Mali, to the sea serpents and 'mermen' found in endless other legends, there is a constant theme of creatures emerging form the sea and battles between good and evil.

The giant plug holes in the ocean along the Bahama banks (that go down beyond 2800 feet in depth) are very telling in terms of the unknown factor found in ancient legends, not least current movies. 

The Great Blue Hole near Ambergris Caye, Belize.

 The holes could have been caused by meteor or asteroid strikes, others though erosion called the karst processes, but as I keep saying, I would 'watch' the ocean and the connection to the 'inner Earth' very closely in the years to come.

Colossus of Rhodes (above middle) according to a several ancient accounts, describe the statue structure as being built with iron tie bars to which brass plates were fixed to form its skin. You could say it was a primitive attempt at building Jaeger to scare off invaders... The interior of the effigy, was said to have stood on a 15 meter (50 foot) high white marble pedestal near the Mandraki harbor entrance. Other sources place the Colossus on a breakwater in the harbor and the statue itself was over 30 meters (98.4 ft) tall. 

Interestingly, 'Colossus' was the name for the world's first electronic programmable digital computers. The Colossus computers were used by British codebreakers during World War II to help in the cryptanalysis of the Lorenz cipher.

Colossus - a 'beast' of a computer...

Decrypts of messages enciphered with the Enigma machines revealed that the Germans called one of their wireless teleprinter transmission systems "Sägefisch" (sawfish), which led British cryptographers to refer to encrypted German teleprinter traffic as "Fish"? 

Of course there are no solid connections, but some of the Kaiju in the movie visually look like hammer head sharks and giant fish for sure. The amount of movies over the decades that portray the ‘depths’ of the sea as having a monster, (or machine) lurking, seems to be common. The 'fear of the depths of the ocean' I am sure are partly due to genetic memories of not only creatures, but cataclysmic events that have wiped humanity out before.

 Of course, the Pacific was not always 'just Sea' or an ocean. We only have to look at what has been found off the coast of Japan at the sunken ancient city of Yonaguni. (and other places), to realise that the topography of the Earth was very different in a prehistory that is now denied by officialdom.

I am not saying that ‘colossal reptilians’ or monsters are coming to our world today (well they have in the past of course), I am more interested in the 'themes in legends' and 'myths' that talk of the devastators and forces that move between worlds. The movie Avengers Assemble also offers similar themes of reptilian aliens invading Earth through a portal, or bridge, to wreak havoc. The machines in the Matrix, to the Decepticons in the Transformers movies, all are themes that hint at past and future world events – if you can stretch your imagination far enough?

Worlds Within Worlds
As mainstream science shows us we only perceive a fraction of the universe and based on that ‘tiny fraction’ we forge our beliefs and assumptions of what is real and not real.
According to some scientists, the electromagnetic spectrum makes up only 0.005 percent of what exists in the universe as mass/matter. Visible light, the only frequency range that we can see, is a fraction even of that 0.005 percent. We only see something when light is reflected from it and anything that does not reflect light is invisible to us even though it may ‘exist’.

To try and explain further the more scientific concepts behind what are often described as ‘unseen worlds’ (the invisible), we would need to picture ourselves thousands of feet in the air, looking down on a major city at night.

We can see hundreds and thousands of tiny lights, orange, white, some red, scattered throughout this city (above left). From this perspective we would only ‘see’ the luminous parts of the city and therefore take that to be the only recognisable life forms in existence. However, hidden away behind the lighted rooms, in the shadows a hive of activity is going on. Even in the darker areas of the city, in the sewers and cellars, other life moves around, which from a ‘city at night’ perspective would seem ridiculous, unless we had visited those parts of the city (right) and ‘seen’ these living creatures for ourselves - "with our own eyes'.

Just as science as moved nearer to accepting the existence of undetected particles, through what we understand as quantum physics, we know that other life dwells in the darker areas of the city, moving and living, unseen to the naked eye from our perspective. If the city in this analogy was symbolic of our reality, the ‘five senses’ (our physical world), then what else dwells undetected in the shadows or on the darker (depths) frequencies (matter) within our universe? How many other cities (worlds) also exist beyond the walls of the one we think know so well? The human imagination, houses many forms, which are not easily recognised through ordinary ‘five sense perception’, and it is our perception that can blind us to seeing all possibility. This doesn’t mean that these forms do not exist! As an ‘image maker’, as with other artists, seeing what we call fairies, angels, gnomes, unicorns, little people and now what is referred to as ‘aliens’,(even monsters) are not only part of our dreams, but are elements of a complex human reality, diffused in lots of worlds mini (cities). These strange and fabulous creatures do not exist to the consensus reality dominated by the five senses, but for the psychic, visionary or dreamer who sees with the imagination, they are visible forms.

The electromagnetic field that we call glass or crystal allows light to pass through, but the electromagnetic field that we call a wall absorbs some visible light and reflects the rest – thus when we are enclosed by walls with no windows we are in darkness – the ‘absence of visible light’.

'In-between world entities' feed off the fear and pain of those in adjacent worlds.

The movie White Noise a supernatural thriller film also offers some visual insights into how otherworldly entities are using frequencies to communicate and interact with our world. Poltergeist was another film that used similar imagery too. The term "white noise" refers to a statistical model for signals and signal sources, rather than to any specific signal. In other words the 'white noise' a 'white noise signal' is used to communicate and traverse between realities. According to some scientists the concept can be defined also for signals spread over more complicated domains, such as a sphere or a torus (a time loop). The 'bridge' that the Kaiju creatures travel through into the 'Pacific Rim' is a 'wormhole' and even mainstream science, the likes of Hawkins, Kaku and Thorne all agree that these are possible through something called the Casimir effect. The Kaiju in the movie Pacific Rim seem to 'dwell' at the entrance of a star gate or worm hole that clearly shows an ‘all-seeing eye’ looking into the bridge between both worlds?

Monsters out of 'nowhere'.
The writer Nelson Bond, who was a pioneer in early science fiction and fantasy, tried to imagine what it would be like to encounter a 'predator' (monster) from another dimension in his book The Monster from Nowhere. The hero in Bond's novel, Birch Patterson, (a solider of fortune), goes off into the jungles of Latin America to capture wild animals for various zoos.

Nelson Bond

Like the movie Predator, instead he encounters a fantastical animal that can move between different dimensions. Capturing it and bringing it back to New York eventually leads to mayhem and destruction. Nelson's book is a likely source of inspiration for Pacific Rim just as it was for the original King Kong and Godzilla themed movies.

Monsters out of Nowhere! No need for fiction

Interestingly, the beasts that appeared in the smoke and fire over New York on that ill fated day, because of the attacks on the Twin Towers, look like inter-dimensional monsters and seem demonic in appearance. The forces that devastate our world also ‘form a bridge’ (as portrayed in Pacific Rim), so to feed off the event that birthed them.
In the movie, the Kaiju are shown to be clones of another species and there arrival on Earth is a military like strategy, (one that is realised by two scientists in the movie plot). The Kaiju’s are implementing intelligently and by clear design, a take over of the Earth!

The recent Monsters Inc movie (Monsters University or MU) once again hints at themes that relate to otherworldly beings that live on a parallel world and feed off the ‘fear and trauma’ they cause in the human world. The plot is based around the all-seeing eye "Mike" Wazowski as a student at MU who is training to become a "scarer", entering the human world to scare children at night and harvesting their screams as energy to power the monster world. Of course its all just 'movie land' and there are no monsters??? The abbreviation of Monster Univeristy 'MU' reminded me instantly of 'Mu' the Motherland, or Lemuria, which was said to be located in the geographical region now called the Pacific rim.

As I said earlier, the Pacific (like the Atlantic) was not always all ocean, and whatever was happening on the land in terms of magic, temples and rituals, would have involved portals into other worlds. Oh yes!  Strange beings found in folk-lore (the elves, trolls and fairies) who are said to dwell both in the astral/etheric world and the ‘underworld’ (inside the Earth) and the ‘underworld’ above the Earth, crop up in endless legends. The Maya called these inter-dimensional entities the Lords of Xiballba, the rulers of the underworld – the lower fourth dimension. The same demonic entiites (states of awareness) would go on to take over the mystery schools that had originated out of the 'pre-historic' global civilizations of Atlantis And Lemuria (above).

The Kaiju Dinosaur Terror Alert
The Kaiju are categorized in the movie as Category 1 to 5 depending on size and capability to devastate Earth’s cities – one being small and five been very high in its ability to cause maximum damage to humanity. Some of the Kaiju are also ‘radioactive’ creatures that have the ability to knock out all power, which happens in the film. The Japanese ability to ‘attract’ radioactive/nuclear disasters is almost 'otherworldly', not to mention the terrible tsunami phenomena located within the wider Pacific rim area too.

Upping the terror threat from little lizard to humongous lizard!

The Kaiju are obviously inspired by humanities 'alpha predators' like sharks and dinosaurs. Some of the Kaiju even look similar to other movie monsters, the Rancorn monster from George Lucas’s Return of the Jedi movie, is one example. However, the ‘Runcorn monster’, which only surfaces after 17 pints of beer from the depths of the Cheshire craggs is something else completely... only joking Runcorn in the UK!

The author Michael Mott in his book Caverns, cauldrons and Concealed Creatures, puts forward the idea that the word 'dinosaur', according to biblical scholars, is encoded with the word ‘asteroid’ or ‘the great Tanin (which means monster or dragon)’. Mott quotes the research of Michael Drosnin, who with a team of Israeli scholars had come to the conclusion that the ‘code’ for Asteroid and Dinosaur where interchangeable, and that the Fall in Genesis, was a reference to the 'fall of the Dragons' (dinsosaurs), the 'first creatures' due to a physical act of destruction. In the movie Pacific Rim, the Porthole form where these monsters arrive through is also 'destroyed' and therefore these monsters where ‘cast out’ so to speak...

 Building Beasts to fight Beasts
To combat the monsters, humanity unites to create the Jaegers (pronounced like "Yeager"), which are gigantic humanoid robots. The themes here are straight out of the 'trans-humanist agenda', which is to 'merge' machines with the human brain.

The human computer interface is a DARRPA agenda and the film makes no excuses for mentioning this (even mentions DARRPA in the script near the beginning of the film.
DARRPA has openly said that it is seeking to genetically and technologically enhance troops (create fighting sub-human robots with no compassion, empathy or ability for free thought). The Jaegers are 'colossal' exo-skeleton creatures, powered by the human mind merge. 

Fresh out of DARPA's blueprint draw, if only?

The robot agenda I am sure is well in advance of the tiny amounts of information, videos and photographs that is allowed to appear in public, and when you consider what even Japan and Asia in general are capable of building in terms of technology, then I wouldn't be surprised at all to see a fully completed giant Humanoid robot hidden in a James Bond like base somewhere.  The constant themes of human-robot merging is at epidemic proportions in films and books because, as I’ve been saying for years, if its in the movies, its coming to our reality. With this in mind and in keeping with the movie, I wasn't surprised to read in one internet article that U.S. government researchers (in other words DARPA) are choosing Sparton Electronics of De Leon Springs, Fla., to develop 'conceptual designs' of a 'future system' with, wait for it,  the potential to launch a wave of distracting light strobes, blinding lasers, electronic warfare jammers, or other kinds of 'non-lethal weapons' that pop up to the ocean's surface without warning in the middle of an adversary's naval battle group. See the whole article here. Like I say, what kind of movie awaits humanity next?

Do you think Dr Octopus was a bit of a 'give away?'

Merging the hemispheres of the Brain
As the movie unfolds it shows how the original tests to have one pilot per Jaeger proves unsuccessful, as the test subjects were not able to handle the stress and strain. It was then decided that each Jaeger would be piloted by two fighters, linking together in a Drift sequence synchronizing their movements to pilot these massive machines.

Dual pilots controlling the Jaeger gives a whole new understanding to being in the belly of the 'beast'.

In the movie two pilots have to 'merge their neurological pathways' so to be able to control the robot fighting machine. The pilot’s minds are joined by a neural bridge, which seems like a clever portrait of the merging of the left and right brain. The merging is referred to as a 'drifting' in the film and to do this both partners have to empty their memories and dwell in the 'now' (below). This is straight from DARPA-funded research, which has developed a technique called‚ 'mind-meld'‚ which can connect brains into one multiple-functioning unit and transfer thoughts and perceptions between them. 

DARPA blurring the lines between the movie and, er... the other movie.

Kevin Warwick, professor of cybernetics at Britain‚ University of Reading, said: “If a machine is passing down signals that keep you completely happy, then why not be part of the Matrix?” No thanks Mr Warwick! This is exactly what is happening in the mind meld-drift scenes in the movie. It’s in other films too. Neo in the Matrix movies also symbolically 'merges with the machine hive mind' behind the matrix, to cancel out the rouge agent programme called Smith (below). Professor Warwick has made numerous appearances in the media after being micro-chipped and he promotes this and other trans-humanist ambitions as the means for human progress.

Don't anyone tell me that movies are 'just movies'. They are more than just a movies, besides the predictive programming, films of this calibre are telling the masses what is on the cards for the not so distant future. DARRPA mind meld technology also has the potential to be downloaded into robot technology to give them artificial intelligence and the US military is already talking of these robots being given the ability to make their own decisions about who to kill and when... This lot are really lovely people, as you can see.

Back to the movie plot
Seven years after the fissure opened up, one of the more famous Jaeger duos, is Raleigh Beckett (Charlie Hunnam), and his older brother, Yancy (Diego Klattenhoff). Pilots of the Jaeger named "Gypsy Danger," they are sent off to stop a Kaiju heading towards Anchorage. Though the information on their monitors shows a fishing boat in the path of the attack, the Becketts are told to protect Anchorage. Even so, they disobey orders, and still save the fishing boat, but end up being brutally attacked by the Kaiju, which rips off the Jaeger's left arm, and tears away a chunk of the vehicle's helmet, sending Yancy to his death

After the attack, Raleigh leaves the Jaeger Program, and goes to find work wherever he can. Years later, he finds work along the Western coast of the United States, helping build a giant wall that is meant to keep the Kaiju creatures out.

Building the Great Wall
Though the Jaegers are effective, the Kaiju attacks grow more frequent and powerful. Humanity's World Government discontinue the Jaeger project and resort to building massive coastal walls to protect humanity from the Kaijus. Call it the ‘Great Wall of China, Adrian's Wall – Israeli wall of separation – blueprint’ if you like.

In the seven years since Raleigh was with the original Jaeger program, numerous countries under the 'new world authority' have called for the program to be terminated. Many assume that building the walls will make them safe, but the head of the program named Stacker Pentecost (above), claims that the World's Leaders are making a terrible mistake. Even though Pentecost claims the program is still viable, it is relocated to Hong Kong, and given eight months of funding, before the program will be retired.
The four remaining Jaegers are redeployed to Hong Kong to defend the unfortified coastline until the wall is completed in that region. General Stacker Pentecost (played by Idris Elba), commander of the Jaeger forces, devises a plan to end the war by using a nuclear warhead to destroy the portal. The beast loves radiation you see! His speech is a classic one;

"Today at the edge of our hope, at the end of our time. We have chosen to believe in each other. Today we face the monsters that are at our door, today we are cancelling the apocalypse!"

Even the religious connection to the 'Pentecost' isn't wasted, with the symbolic connection to the coming together of nations and the the helper or redeemer aiding those that needed 'saving'. In the movie Pentecost approaches retired pilot Raleigh Becket (Hunnam) and convinces him to return and pilot Gipsy Danger, the Jaeger he and his brother Yancy once piloted before the wall was built.

Arriving at Hong Kong, Raleigh is paired with potential co-pilots to find one with a strong connection, as the stronger the connection, the better their performance in battle. Sensing a strong connection, Raleigh demands to be partnered with Mako Mori (above left).

Pentecost opposes, as Mako is his adoptive daughter, but he eventually relents because of her skill and connection to Raleigh. Howver, the duo's initial test run nearly ends in disaster when Mako gets caught up in a childhood memory of a Kaiju attack, which inadvertently activates and nearly discharges Gipsy Danger's weapons while inside the hangar.

I found this childhood scene (above) typical of a del Toro movie, which involves a traumatised child running from a Kaiju that is in pursuit of her. As Toro is alleged to have said in connection to his movies;
"I have a sort of a fetish for insects, clockwork, monsters, dark places, and unborn things,"
Sounds lovely. His fetish is evident in his movie Mimic, where at times all are combined in long, brooding shots of dark, cluttered, muddy chaotic spaces. Pans Labyrinth (below) is even more telling, with its child eating, horned inter-dimensional creatures. I wonder if Toro knows about the Archons eh?

The Jaegers Assemble
Pentecost also introduces Raleigh to two scientists under their command while in Hong Kong. One of them named Dr Newton Geiszler (played by Charlie Day), is an obsessive 'Kaiju Fanboy', who studies the creatures through salvaged organs and other parts.

Dr Newton Geiszler

The other scientist is Dr Gottlieb (Burn Gorman), who is a more 'practical' man, and is using his mathematical skills to try and pinpoint the frequency of creatures coming through the ocean rift. Within the Shatterdome, the last remaining Jaegers and their crews have been assembled: The Crimson Typhoon (from China), Cherno Alpha (from the Ukraine), Striker Eureka (fresh from its stint in Australia), and (to Raleigh's surprise) The Gypsy Danger.

Transformers without a robot mind

A twist in the plot arrives when Dr Geiszler decides to drift with the kaiju brain to understand more about their attackers.
The experience nearly kills him, but he discovers the Kaijus are not wild beasts, but engineered weapons fighting at the behest of a race of alien conquerors. Just with the many ancient texts and myths that talk about the Arcons, Jinn, etc, this inter dimensional force is seeking to devastate and take over the Earth by using others (ghosts in the machine) if you like, to prepare the way. The Transformers movie Trilogy offer similar themes too, with their obsession for the All-spark, reducing the Earth to the level of a 'nuclear dead zone', so to bring Cybertron to Earth (Hell on Earth).

Geiszler also realises through his obsession with the kaijus that the Dinosaurs’ were an ancestor of the kaijus and their earlier attempt to introduce themselves to Earth thousands of years ago failed due to atmospheric compatibility. Changing Earth’s atmosphere is also a theme I’ve come across in other movies, and I am certain that this is part of a wider agenda in our reality. According to the mind merge performed by the scientist. The Kaijus' were waiting to invade once their 'colossal creatures' had done their damage, being first through the bridge into our world. 

 There is a ‘radiation agenda’ and it seems that the planet has purposely become a ‘nuclear junkie’ courtesy of the crazies (in power) that have given us power stations, telemasts and of course the global wifi technologies. 

Welcome to the Wifi World

Just look at these pictures to confirm that Cybertron is almost here. Electromagnetism has increased massively in such a short period with literally no tests or scrutiny of the effects of this type of 'pollution' to our bodies. A document by the former Radiological Protection Board said that the radiation environment has increased by many millions of times in just 50 years and that increase is getting faster every day. Welcome to the Archon-Kaiju-alien planet people!

Attack on Hong Kong
As predicted two Category 4 Kaijus surface near Hong Kong. Pentecost sends out the Crimson Typhoon (China) and the Cherno Alpha (Russia) to fight the creatures, with Striker Eureka (Australia) to protect the City's coastline. Just as discussion had seemed to point to the Kaiju becoming more dangerous, the two that have emerged come with extra accoutrements. One contains a pouch containing acid, that melts away at the Typhoon's armor, before they are eventually destroyed. Cherno Alpha's crew take her into the fight, but she is soon overwhelmed by the two monsters also.

China's Typhon and Russia's Cherno (no link to Chernobyl I am sure?)

Australia's new refugee 'refusal program' - only kidding.

The Father/Son team piloting Striker Eureka abandon their orders to protect Hong Kong, and go for the Kaiju when Typhon and Cherno are defeated. However, one of the Kaiju lets loose a EMP burst, that disables Striker Eureka, and the equipment in the Shatterdome headquarters.

With two hours til' the system can be rebooted, Striker Eureka is ‘dead in the water’ (above) until Raleigh gives a solution to the EMP blasts: though the newer models of Jaeger are digital, the Gypsy Danger is older and 'analog' and able to with stand the EMP blast from the radocative Kaiju. 

General Pentecost sends out Raleigh and Mako, who end up destroying the EMP-bursting Kaiju, due to their mind 'connection' (the DARRPA mind meld technology), but the other one ends up heading into Hong Kong.

The battle goes through many scenes, (if you like that kind of action) but takes a turn when the Kaiju suddenly sprouts wings, and begins to carry the Gypsy Danger out of the atmosphere. There is an amazing scene at this point that includes a shot of the Moon as the Kaiju flies towards it. A subtle link to the Moon being a Kaiju base maybe? Utilizing the Jaeger's chain-sword, this dynamic duo and manage to destroy it, before plummeting back to Earth.

The End Battle
The scientist Gottlieb predicts that mathematically, the number of Kaiju coming up through the rift is increasing and Geiszler meanwhile, wonders if they can learn more about the Kaiju, if they are able to 'Drift' with its brain again. Having a portion of one, he is eager to test his theory, With Pentecost's approval, he seeks out an infamous black market Mafia style leader called Hannibal Chau (played by Ron Perlman below), a major figure in the trafficking of Kaiju parts, in an attempt to procure an intact Kaiju brain to repeat the experiment.

The movie takes a twist when Chau deduces that the Kaijus are searching Hong Kong for the scientist Geiszler, whose actions have attracted their attention from his previous mind merge with the Kaiju brain. After Gipsy Danger kills both Kaijus, Chau and his team move in to harvest body parts. Geiszler realizes one of the Kaijus is pregnant and the newborn bursts from its mother and swallows Chau before dying.

Geiszler and his Hermann Gottlieb (above) perform a dual merge with the baby Kaiju's intact brain and learn the portal will only open for a Kaiju. In other words it is their unique signature that opens the portal into our world.

Destroying the Portal
Plans are soon made to set up the Gypsy Danger and Striker Eureka Jaegers to deliver a Warhead to the ocean rift, but due to the son of Striker Alpha's team having sustained an injury to his arm, a replacement must be found. Pentecost surprises everyone when he takes the role.

Its that Darth Vader-Robo-Cop 'Saturn' look again.

As the two Jaegers approach the rift, Geiszler and Gottlieb rush into the Shatterdome's control room, and explain that the plan will not work. The channel between dimensions will only allow in a Kaiju. If they attempt to drop the warhead into the channel, it'll just deflect out.

Gypsy Danger and Striker Eureka Jaegers

The two remaining Jaegers assemble to execute their plan to destroy the portal with a nuclear weapon. Pentecost is forced to detonate it early, killing himself to destroy the powerful Kaijus that are guarding the underwater portal.

This act allows Raleigh and Mako to seize another Kaiju (through Gipsy Danger) and use it to enter the portal.
As they 'fall' into the Abyss and with oxygen running low, Raleigh ejects Mako to safety and initiates the nuclear reactor's overload sequence, then ejects himself. 

Gipsy Danger's nuclear core detonates, laying waste to the alien conquerors and collapsing the portal.

Mako and Raleigh's escape pods surface safely in the Pacific, and like a scene from any typical Bond movie the duo embrace as rescue helicopters come to their aid.

A happy ending, bless em… phew, I don't think I can watch another robot reptilian film for at least another galactic cycle...

Until next time.

Neil